Sunday, February 26, 2012

London Super Comic Convention

This past weekend I attended the London Super Comic Convention at the ExCel Centre in the London Docklands. It was the inaugural event of what I'm sure organizers hope becomes a European San Diego, and while there were a few kinks -- notably the excessively long queues -- it was a good event and featured an impressive array of talent including George Perez, Howard Chaykin, Paul Cornell, Fred Van Lente and the LEGENDARY Stan Lee. 


Here are some choice photos from the day, including some of the trip there. I also found some great British indie comics and will be reviewing them shortly, but for now enjoy the photos and my commentary.   
Walking to Bank Station to head to the London Docklands.
Bank of England, Royal Exchange and a bus
Leaving the Docklands Light Rail to the ExCel Centre.
London Docklands -- once the world's largest port.
ExCel London
Waiting to get in. The queues were were rather long and a first detracted from the overall experience. 
Retailers and fans
The How to Write A Comic Script panel. Unfortunately, the woman on the left was an ad hoc addition and I didn't catch her name. If you know please comment. Other writers (L to R) Mike Carey, Fred Van Lente, Kieron Gillen and Andy Lanning.
Cosplayers 
While waiting for an autograph from Fred Van Lente, Stan appeared to continue signing. It got crazy shortly after I took this photo.
Most of Stan Lee's bodyguards looked like they're former Soviet Special Forces.
Spidey, Stan & Spetsnaz!
Stan Lee: Living the Dream from 1940 to Present Day. At this panel Stan regaled us with some great stories about the beginning of his career, working with Jack Kirby and Steve Ditko on the Fantastic Four and Spider-Man as well as his current and future activities in the entertainment business. Most of the stories were well documented, but it was great to hear them from 'The Man' himself. 
Nuff Said!

Wednesday, February 15, 2012

Thinking about Before Watchmen

The comics world erupted in controversy February 1st when DC Comics announced to it was producing seven new limited series and a one-shot epilogue titled Before Watchmen; prequels of Alan Moore's and Dave Gibbon's masterpiece Watchmen.  Is it crass opportunism or a great strategic move? Protagonists from both sides have been arguing over Twitter, YouTube and the blogosphere in the past weeks and here's my modest contribution to this pan-industry debate. 

A cover to DC's upcoming Rorschach Before Watchmen mini

A cover of DC's upcoming Comedian Before Watchmen mini
From DC's Watchmen #2 originally published October 1986, reprinted in 2008
Frankly, I'm looking forward to them. When the original Watchmen was published in 1986, I had only started reading comics and because of this didn't read the originals when first released. By the early 90s, I had managed to complete them but being used to shorter X-Men and Batman books, didn't take in as much as when I read them again in my 20s. Since, I've enjoyed Watchmen three more times and come to appreciate the story as both a masterpiece of the genre and great introductionary story for my non-comic reading friends.

Nite Owl in DC's Watchmen #1, September 1986 republished in 2008
This history is probably one of the reasons why I'm okay with these prequels. Being relatively new to the story, I'm not as emotionally attached to its original twelve issue presentation as others seem to be. Moreover, I'm also a realist. I know the industry is in a scrap and if this brings in new readers or gives comics publicity in the battle against other forms of entertainment, then I'm all for it. Yes, I know that has me siding with the corporate big-wigs in New York and LA, but there's a simple reality out there -- a profitable comics industry means better stories for us readers and more jobs for comic creators. 
A cover of DC's upcoming Silk Spectre Before Watchmen mini
Which brings me to much used Star Wars argument -- likely something I don't need to explain. And while I'm willing to concede the Star Wars prequel trilogy was a disaster, these new films didn't ruin my love of the original trilogy and Empire Strikes Back remains my favourite film to this day. Because of this, I'm taking a similar view regarding Before Watchmen. If they bomb, the greatness of original series will not be diminished one iota. That said, DC knows it can't drop the ball on this one and that's why they've assembled a great team to do it. Look at the list and you'll see what I mean.
Ozymandias in DC's Watchmen #10, July 1987 republished in 2008 
So if you're already against Before Watchmen, then send DC a message and don’t buy them. Me, I'll be reading, reviewing and (hopefully) enjoying seeing how Ozymandias and Dr. Manhattan became the great characters I know them as. I know not every Before Watchmen comic will be perfect -- but I'm willing to give them a chance and hope they're a successful enterprise for DC. As stated above: the stronger the industry the better the stories for all of us. 

Friday, February 3, 2012

WGTB reviews Winter Soldier #1

This Wednesday, Marvel's Winter Soldier #1, (Ed Brubaker, Butch Guice and Bettie Breitweiser) appeared on the shelves of my local comic shop. And being one of the most hotly anticipated and vigorously promoted new books of 2012, it was one I just couldn't resist picking up.   
Cover of Marvel's Winter Soldier #1, April 2012
There's a gritty, near photographic realism to Winter Soldier #1, April 2012
Like most first issues, there was somewhat of a learning curve to get up with exactly what is happening. I know, I know, this may come as a surprise: Bucky Barnes/Winter Soldier has been very active in the Marvel Universe of late. But I've never been the biggest Captain America reader and had to go back and get caught up with the back story to a degree. But after reading the comic, with Civil War and the Death of Captain America fresh in my mind, I realised that wasn't all that necessary. Brubaker's writing pulled me in and kept the action brisk so that I didn't have time to think about the history of the character. Indeed, the agenda and motivations of Winter Soldier and Black Widow were clear and this, along with the Cold War back story, was more than enough to keep the book moving on its own merits, at times even giving it a Jason Bourne feel.
From Marvel's Winter Soldier #1, April 2012
From Marvel's Winter Soldier #1, April 2012
Guice and Breitweiser's art, with its gritty near photographic realism, really worked with the gritty realist nature of the story, and this series although clearly situated in Marvel's superhero world, has a welcome spy/war comic feel to it. Indeed, at times it actually reminded me a lot of another Brubaker story I've always liked, Gotham Central, which also took place in a world of superheroes yet was not so much about them.

All in all Winter Soldier #1 is a good book even though it will probably take a couple more issues to gather a momentum that will really get me engrossed. That said, the $2.99 price point makes this a real possibility and because of the low price, what would content wise be a 3.5 is actually getting a 4 out of 5 stars.

Monday, January 30, 2012

WGTB reviews Defenders, Uncanny, FF & F4, Captain Atom, Superman & Alpha Flight

Recently, while listening to another great podcast by John Sinuntres, Spider-Man writer Dan Slott mentioned how he knows of so many readers will rush through their stack each Wednesday just to get on the blogosphere or message boards to give their opinions. Admittedly, I've also done that -- but not this week. This week, I’m going to borrow a page from the ‘Dan Slott School of Savouring Comics’ and put up some thoughts about books from all of January. Just because I can...  
From DC's Captain Atom #5, March 2012
Defenders #2
I’m really starting to enjoy this comic. I have to admit, back in December I wasn’t as taken with the first issue as I thought I would be, but #2 was great and next week's #3 is certainly anticipated. Overall, I love the 'throw-back' feel to the story and layout and I think Fraction's developing a good story by giving this gifted group of superheroes a challenge befitting of their talents. The art isn't outstanding, but it does the job and because of that the books gets 4/5 STARS. 

From Marvel's Defenders #2, March 2012
Uncanny X-Men #3
Gillen’s writing gave me the loudest ‘lol’ moment of my reading this past week courtesy of Namor, a character who seems to be getting around the Marvel Universe. This X-Men continues to be good, but at the same time, I'm also pleased we seem to be moving on from the Sinister story. Don't get me wrong, I love Sinister -- but I also think the multiplicity aspect of the character was starting to wear thin. Overall, however, the book is going well and has an intensity to it that is very welcome, especially now that it appears this team has taken its rightful place as the preeminent team in the Marvel U. 4/5 STARS

LOL! Namor just doesn't get it in Marvel's Uncanny X-Men #3, February 2012
I've really enjoyed the art in Uncanny X-Men #3, February 2012
FF#13, FF#14 & Fantastic Four #602
Reading these three books this past month was very fun and it has really been great seeing the original Four back together. Jonathan Hickman continues to churn out stories that are big in scope, yet have the personal touch of family that has long been the hallmark of the Reed/Storm dynamic. I would also say that Barry Kitson and Paul Mounts artwork of #602 was outstanding and really seems to work with Hickman’s grand themes. This particular issue was very reminiscent of my old favourite TV program Babylon 5. I also seem to have noticed some Japanese mecha (specifically Robotech) influences which was fun. The FF title has also been a good story, and while I'm not as enthusiastic about it as F4, I’m especially enjoying the relationship between Valeria Richards and Dr. Doom. Being a longtime fan of the John Byrne run of the 1980s, it has been great seeing Hickman’s Von Doom become less of the caricature of the evil genius and become friends with the scion of his old nemesis. 4/5 STARS (Collectively) 
Kitson's art has had a Robotech-type influence in Marvel's Fantastic Four #602, March 2012
Epic space battles in Marvel's Fantastic Four #602, March 2012
More big ideas from Hickman in Marvel's FF #13, February 2012
Captain Atom #5
About mid-month, DC released the list of the New 52 that were being cancelled after issue #8 and I really felt this book was going to be on that list. My information was purely anecdotal, but Captain Atom just didn’t seem to be getting the same attention (and sales) as other books. Well, it wasn't and I am glad because I have been enjoying this book on the whole. That said, #5 didn’t especially grab me story wise: the pace isn’t as quick as it could be and a hero of nearly infinite power certainly can do more than battle giant blobs of organic matter. But where the story has been less inspired, I should say how the artwork of Krul and Williams II has been edgy and highly enjoyable. So, if I could offer these fellows some humble advice, it would be to take Captain Atom into outer space or give him a fast paced challenge worthy of his amazing powers and story. This would keep me enthusiastically slapping down my money and hopefully keep this title going well into the future. 3.5/5 STARS. 
The story was a little slow but the art from DC's Captain Atom #5 (March 2012) was outstanding!
Superman #5
In a similar vein to Captain Atom, I've been enjoying this new take on Superman, but also feel it is suffering from a pace problem. In this particular issue Superman battles an elemental and in the course of that, he inhales his enemy which changes his personality into a Draconian anti-crime near-criminal who starts to hassle Metropolis. Obviously, he is possessed but it seems this series has been too much 'establishing' and not enough real super-action. I know this lands me in a position where I'm critiquing George Perez, a comics legend, but I would like to see more of the great Superman myth and because of that can only give it a 3.5/5 STARS.

Great art from DC's Superman #5, March 2012
Alpha Flight #8
To conclude, we come back to Marvel with Alpha Flight #8, the last book of the eight issue maxi which started in the summer.  All in all, this was a good series, but has also been one of mixed sentiments. From FanExpo’s announcement of a continuing series, to the surprising announcement back to an eight issue maxi, this has been a fun yet turbulent ride for fans of Canada's superhero team. So although I liked the story, and enjoyed seeing my old favourite, Wolverine, I also felt it ended on an abrupt note which could have been played out a little longer. That said, it was a reasonably good series and it was good seeing the group back on the pages of Marvel. Pak and Van Lente did a good job at the story-telling and Eaglesham's art, while not the most innovative, did the job that a comic should.  
From Marvel's Alpha Flight #8, March 2012
At the end of the book Van Lente, Pak and Eaglesham each wrote a ‘thank you’ note to the supporters of the book and briefly addressed the FanExpo announcement; the economic factors that dialled it back; and possible future stories that include the Flight. Of course, I won’t tell you exactly what was said, nor will I include an image of the message (go buy Alpha Flight #8 if you want to see what they said) but all in all it was a nice message and you could tell the three enjoyed working on the book and were somewhat disappointed to see it end. But alas, that is the industry we love! 4/5 STARS for the series.

So there you are: some thoughts on the comics we've seen in January 2012. I'll be reviewing Winter Soldier #1 when it comes out this Wednesday, so stay tuned and thanks for reading.

Tuesday, January 17, 2012

The New DC Comics logo

I’m not sure. 

Part of me really likes it. It’s clean and modern, giving DC a mature look that should appeal to older readers. On the other hand, it doesn’t much look like a comic logo and that takes something emotionally from the corporate representation. So, sorry, if you’re looking for an opinion I can't yet offer one -- and will probably have to see it on Swamp Thing or Batman to really make the call.  

But let me know what you think. I'm not that conversant in the methods behind corporate logos, so please share your opinion. 

NB: I'll be back with some new blog postings soon -- including one I'm currently researching about copyright law and comics, along with the usual reviews, etc. Thanks for reading (and following!) and I will talk to you soon.

Monday, January 2, 2012

Spaceknights and Just Wars

One of my favourite comic book writers is Bill Mantlo. Bill started writing in the late 70s and was prolific: having fantastic runs with The Incredible Hulk, Spectacular Spider-Man, Alpha Flight, The Micronauts and one of my favourites, ROM Spaceknight. And while I’m not going to talk about what happened to Bill right now, I invite you to read his story here and do whatever you can to support him at this time.   
This comic is 30 years old this month. Marvel's ROM Spaceknight #26, January 1982
Recently, I went back to Bill’s enjoyable run on ROM and found myself absorbed in the 30 year old #26 and #27, a story called 'Galactus on Galador'. Like most of Bill’s work, I found this short story both enjoyable and provocative, raising some interesting ethical and legal issues with regard to the conflict the Spaceknights have with Galactus and their old enemies the Dire Wraiths. 
Marvel's ROM Spaceknight #27, February 1982
It begins with what one might call a borrowed story from Lee/Kirby's Fantastic Four ‘Galactus Trilogy’, but quickly evolves into something else. When Galactus and his herald arrive on Galador, (home world of the Spaceknight's people), the Spaceknights understand the looming threat and do their best to repulse Terrax. Meanwhile, ROM heads to Galactus’ ship to attempt a negotiation. During that parley a deal is struck: 
From Marvel's ROM Spaceknight #26, January 1982
Splash from Marvel's ROM Spaceknight #27, February 1982
From Marvel's ROM Spaceknight #27, February 1982
'Give up on this world and we will give you another' is ROM's proposal. Of course, this world is Wraithworld, home of the Dire Wraiths.
From Marvel's ROM Spaceknight #27, February 1982
Which provoked me: is this is a moral or legal bridge too far by the Spaceknights? In both this and earlier ROM comics, we learn of the Galadorians just and long-standing grievance with the Dire Wraiths, and I would say they have an absolute right and duty to defend themselves. This is the whole raison d'être of the Spaceknights to begin with.
From Marvel's ROM Spaceknight #27, February 1982
But by manipulating Galactus into obliterating the Dire Wraith home world, has ROM crossed the line into the illegal or immoral? The Dire Wraiths are unquestionably evil, but do they also not have a right to live? This is what got me thinking about Just Wars and how we humans have come to determine what is legal and illegal in war.
  
From Marvel's ROM Spaceknight #27, February 1982
While the idea of a 'Just War' goes back to Classical times, it was in 1625 that Dutch philosopher Hugo Grotius wrote De jure belli ac pacis (On the Law of War and Peace) which summed up the evolved Western thinking about just war, itself an idea descended from ancient and medieval thinkers including Cicero and St. Thomas Aquinas. Grotius’ list was fivefold:

1) There must be a just cause
2) There must be a right authority or legitimate sovereign initiating the war.
3) There must be right intention on the part of the parties using force
4) The response must be proportional
5) The force must be last resort

In the conflict between Galactus and the Spaceknights, it seems they are doing what is needed to protect themselves. But once they make an ally of Galactus and decide to use his overwhelming power against their enemy, have they crossed the line? No one would doubt the Dire Wraiths are evil and the cause against them is a just one. Moreover, the Spaceknights derive their authority from a legitimate sovereign and their battle is (mostly) fought with good intentions and is one of last resort. But by enlisting Galactus to annihilate the Dire Wraiths, are they being proportionate as per number four (and possibly number three) of the Grotius criteria? 


To determine this let's look at proportionality, a very important and pervasive concept in almost every legal system in the western world. Just like you might say in criminal law, the punishment should fit the crime, so too in warfare you might say that any just war would not include the absolute destruction of a nation, even if they initiated the conflict.  

But isn't this what ROM knows will happen if Galactus devours Wraithworld: the destruction of that place and the end of the Dire Wraiths? And is this a proportionate or well intentioned response? Personally, I’m not convinced. I know of Marvel villains, the Dire Wraiths are among the worst, but do they also not have a right to live?  

From Marvel's ROM Spaceknight #27, February 1982
In recent human history we need only look at the Nuremberg trials, themselves the precursors of International Criminal Court in The Hague as examples of proportionality in action. When even as great a leader as Churchill wanted swift, bullet-based retribution against the surviving Nazi leadership, President Roosevelt and later President Truman (thanks to persuasive arguments made by Associate Justice of the Supreme Court of the US and eventual Chief Prosecutor at Nuremberg, Robert H. Jackson) decided that even these despicable men should have their day in court. This in turn, led to hastened reconciliation with the German people, who would eventually become an important pillar of the world community. Likewise in Japan, the similar Tokyo War Crimes Tribunal eventually let the Japanese move on and become another important contributor to the world community.   

From Marvel's ROM Spaceknight #27, February 1982
Of course, Galactus fails in devouring Wraithworld and I am now going well beyond the scope of a comic blog. (Nor do I think Marvel will ever publish a comic that has the Dire Wraiths putting the Spaceknights on trial.) But I do believe that ROM, by enlisting Galactus to destroy Wraithworld, went too far. Of course, this is just an opinion, but it's also a reason why Bill Mantlo's writing was so good and why I'd like to thank him again for using comic books to provoke thought. Although ROM Spaceknight #26 and #27 are thirty years old this month, they are just as interesting and enjoyable to read today as they would have been then.  

If you are interested in starting an investigation into just wars and the law, I highly recommend The Nuremberg Legacy: How the Nazi War Crimes Trials Changed the Course of History by California Judge Norbert Ehrenfreund. Ehrenfreund was a US Army journalist for The Stars and Stripes during the war and witnessed the main trial first hand. His book is an accessible primer for anyone interested in Nuremberg and its legacy. Further, as a law student, I do not claim to be an expert on these legal issues so if you think I've missed something important or would just like to offer a comment, please feel free to (respectfully) add one.

Saturday, December 24, 2011

Comics and Christmas Memories

To mark the festive season, I thought it would be interesting to post some comic images from the various toy franchises I've asked Santa Claus for over the years.  

Optimus Prime from Marvel's Transformers Universe #2, January 1987
We start with Transformers, the toyline that kept me the most interested in the 1980s. One of my best Christmases was when Optimus Prime showed up under the tree in 1984, and I still think he's one of the best toys ever designed. Unfortunately, I don't own a lot of TF comics, but if you're looking for an interesting account of the Autobots, Decepticons and Marvel's role in their development, check out the link to Jim Shooter's blog here.  
From Marvel's Transformers #39, April 1988
Star Wars toys were also a staple of Christmases in the 1980s in my house. Here are some images from the Marvel's run which started with A New Hope and ended in the mid-to-late 1980s. I've also included an image from Dark Horse's reprint of the Archie Goodwin/Al Williamson newsprint run which was collected into 20 issues in the early 1990s and titled Classic Star Wars. Dark Horse bought the licence between 1989 and 1990 (I couldn't uncover an exact date) and has been publishing Star Wars comics ever since.
Splash from Marvel's Star Wars #28,  October 1979
'Jabba the Hut' appears in Star Wars #28, October 1979
From Dark Horse's Classic Star Wars #10,  July 1993
Robotech -- one of the first successful forays of Japanese Manga into the North American market -- is the third group of toys I've included. I was never a big collector of the toys, but remember a great Christmas morning when a Zentradi Battlepod appeared under the tree. The action figure line wasn't of the same quality as Hasbro's GI Joe (which was banned in my house anyway), but I liked the sci-fi and will still watch the show every now and then. 
Splash from Comico's Robotech #19, May 1987
The fold bothers me too. Page from Comico's Robotech #19, May 1987
Robotech comics were published Comico, a small publisher based in Norristown, Pennsylvania. They printed the Macross Saga between 1985 and 1989 but went out of business in 1990. Other comics from other companies have been printed involving the Robotech franchise, but I only followed Macross, so that's all I've included. 

From Comico's Robotech #18, March 1987
From Comico's Robotech #18, March 1987
Finally we have Captain Power and the Soldiers of the Future. This live-action show had a line of toys which were unique because they involved some of the earliest toy-television interactive play. The show only lasted one season (1987-88) however; probably because it couldn't figure out whether it was an adult program like Star Trek or a kids show like Transformers. 

From Continuity Comics' Captain Power and the Soldiers of the Future #1, August 1988
From Continuity Comics' Captain Power and the Soldiers of the Future #1, August 1988
Only three issues of the comics were ever published and what's particularly interesting about them is that they were done by Continuity Comics, a company founded by comics great Neil Adams in 1984. This particular issue was drawn by Adams himself and was adapted from a television script by long-time television and comics writer J. Michael Straczynski. One Christmas I got a Lord Dredd's throne and a 'Soaron' figure which was very cool.
From Continuity Comics' Captain Power and the Soldiers of the Future #1, August 1988
'Soaron' from Continuity Comics' Captain Power and the Soldiers of the Future #1, August 1988
So there you go: a little walk down memory lane before you stuff yourselves with Christmas turkey and chocolate. Thanks again for visiting WGTB and have a very Merry Christmas!