Showing posts with label DC Comics. Show all posts
Showing posts with label DC Comics. Show all posts

Friday, February 7, 2014

Lex Luthor & Corporate Crimes in Canada

I recently read John Byrne’s mid 1980s classic The Man of Steel, a re-imagining of the original Superman story. This six part mini-series recounted how Superman escaped Krypton, met Batman and the Daily Planet crew, met Bizarro and perhaps most importantly met Lex Luthor and subsequently became his arch enemy. In the fifth comic of the story, Luthor, after an attempt to kill Superman, hides behind the myriad of corporations he controls and shields himself from any criminal responsibility for his actions. Have a look: 

Image from DC's The Man of Steel Vol. 1 #5 (December 1986) Writing and pencils by John Byrne, inks by Dick Giordano, colours by Tom Ziuko & letters by John Costanza. 
From DC's The Man of Steel Vol. 1 #5 (December 1986)
From DC's The Man of Steel Vol.1 #5 (December 1986)
The story has Lex effectively shield himself from the crime by way of his corporation(s). When I read this I thought it might be an interesting issue to discuss in this blog: namely when can a corporation be found guilty of a criminal act? The following entry will examine criminal law and how it relates to the corporate activity within the Canadian context. With hope, you’ll leave here with a better understanding of how Canadian corporate law works and how exactly a corporation can be found criminally responsible for an action it's involved in. For the purposes of this piece I will use the Canadian Business Corporations Act (CBCA) as the statutory basis for our examination. This is the statute used when companies choose to incorporate federally.

We start with the basic idea that a corporation created under Canadian law is a separate legal personality and has, according to Section 15 of the CBCA, the rights of a “natural person”. To better illustrate this Canadians can look back to England to get a sense of what this exactly means. The case Solomon v Solomon Brothers and Company Limited [1897] from the House of Lords held that Mr. Solomon, the founder of the company at issue could not be held personally accountable to creditors for the acts of his namesake company because they were separate legal personalities. This idea was later codified in the CBCA in Sections 15 and 45 with s.45 reading: “The shareholders of a corporation are not, as shareholders, liable for any liability, act or default of the corporation.” This notion, that there was a separation between shareholders and management and the corporation has subsequently been labelled by some as the “corporate veil” and was undoubtedly on Lex Luthor's mind when he taunted Superman. 

The notion that a corporate body has a separate legal personality hasn’t gone without commentary as common law developed and many jurists from both sides of the Atlantic have considered it. In the early 1600s for example, English jurist Sir Edward Coke (pronounced "Cook") in the Sutton Hospital Case (1613) noted that the corporation was “aggregate of many is invisible, immortal and resteth only in intendment and consideration of the law" (sic) and "They may not commit treason, nor be outlawed nor excommunicate, for they have no souls." Centuries later the fourth and longest serving Chief Justice of the United States John Marshall remarked in Dartmouth College v Woodward (1819) that the corporation was "an artificial being, invisible, intangible and existing only in contemplation of law". Clearly these legal greats saw corporations as strictly legal constructs. But this raises the question: what if these legal entities are used for less-than-honourable purposes? Such a consideration brings to mind the observations of Lord Thurlow who wrote in 1844 that corporations had: "neither bodies to be punished, nor souls to be condemned; they therefore do as they like.”

Which brings us back to managers like Lex Luthor who use the corporation to shield their criminal acts. A corporation cannot shake a hand, so it stands to reason it can also not wield a gun or in the case of The Man of Steel #5 a space-suited assassin! These are all issues the courts have dealt with since Solomon as corporations have grown to wield immense power and influence in modern society.

In the 1980s of Gordon Gekko, Lex Luthor was turned from mad scientist to fat cat capitalist criminal. Image from DC's The Man of Steel Vol. 1 #4 (November 1986)
To begin our discussion on corporate criminal liability, we should first briefly look at the basics of criminal fault. In criminal law, there are two principal elements that are needed for a crime to occur: the Mens Rea or the "guilty mind" and the Actus Reus, the "guilty act". Finding an Actus Reus of a corporate crime could require just looking to see if some kind of wrong has occurred. The harder part is finding a Mens Rea because it is somewhat complex to attribute a guilty mind to an abstract legal entity. Moreover, how could the prosecution, acting on behalf of the Crown in Canada, prove beyond a reasonable doubt that the corporation committed the crime? As is usually the case, a look at common law is the best way to understand how the courts have grappled with this issue over time.

Let's begin with the case Lennard’s Carrying Company v Asiatic Petroleum [1915] from the UK's House of Lords. Here Lord Haldane held that the guiding principle in English corporate law would be that: 

The corporation was an abstraction. It has no mind of its own any more than it has a body of its own; its active and directing will must consequently be sought in the person of somebody who for some purpose may be called an agent, but who is really the directing mind and will of the corporation, the very ego and centre of the personality of the corporation.

Sound familiar? Here Lord Haldane essentially tows the Coke line and left the corporation untouched with regard to criminal acts. This notion would remain strong in Canadian law until decades later when it started to get chipped away by judges who saw things differently and pushed the law in another direction. For example, in 1941 the Alberta Court of Appeal in R v Fane v Robinson Ltd. set aside an acquittal of two companies where two of the directors and officers conspired to defraud an insurance company. The judge in this case found that the people responsible were acting and directing the corporation and it was here that we saw the germination of what would become the Identification Theory. The Identification Theory merges a Mens Rea with a corporate body using something called the Directing Mind.

For the Identification Theory to work the Directing Mind must use the corporation as a means to commit the crime while at the same time be at the centre of its operations. For example in R v St. Lawrence Corporation [1969] the Ontario Court of Appeal (the highest court of Canada’s largest province and one step below the Supreme Court of Canada) held that the officer or senior official must be a "primary representative through whom the company acts, speaks and thinks." St. Lawrence also remarked how actions taken outside the official responsibility of the leader do not fall within the Identification Theory. So if Lex Luthor was embezzling money from one of his companies then it would be another matter entirely because the company is the victim. In this instance it would be up to the shareholders to sue Luthor on behalf of the company in what is called a Derivative Action. 

Luthor could never understand why Superman didn't want to work for him. Imagine that! Image from DC's The Man of Steel Vol.1 #4 (November 1986)
A good example of the Identification Theory at work is in R v Waterloo Mercury Sales Ltd. [1974] from the Alberta District Court. In this case the sales manager of a car dealership reversed odometers to help sell cars. The dealership had a policy against this clearly fraudulent activity, but it was still not enough to keep it blameless because the individual doing the tampering was the directing mind for the purposes of the criminal activity.

Image from DC's The Man of Steel Vol. 1 #4 (November 1986)  
Since 1985 the most important case relating to corporate criminal responsibility has been R v Canadian Dredge and Dock Ltd. which was heard before the Supreme Court of Canada. In this case several corporations were charged with fraud after colluding in bidding for a contract to dredge Hamilton Harbour at the west end of Lake Ontario. The group's plan was to low-ball one offer and then have the winning company issue contracts to each of the losing partners. Here the court upheld the Identification Theory and stated that when the operating mind, brain area or ego of the corporation was so identified with the act of the individuals then the legal entity (the company) became the source of primary liability. This marked a near entrenchment of the Identification Theory into Canadian law.

And in light of the power corporations have in Canadian society, it should surprise no-one that in 2003 the Canadian parliament passed amendments to the Criminal Code of Canada that redefined the circumstances in which corporations could be held criminally responsible. The current law says that it is no longer simply a Directing Mind that needs to commit the crime, but now it can also include a representative, senior officer or anyone who was knowingly involved in the offence in a specific way, even if they did not actually commit it. The Code also expands liability so that the Mens Rea of the crime may be split into multiple representatives of the corporation and can now include not just directors and officers but also employees, agents and even contractees. 

So there you have it: a little bit about corporate criminal acts and Canadian law using Lex Luthor as a prompt. I hope you enjoyed it and even learned a little something with the help of an important comic mini-series.  As for The Man of Steel itself, it was good trade-paperback. A little dated as happens with 80s comics in 2014, but still an enjoyable reading experience. As always, thanks for stopping by and happy reading! 

Thursday, November 28, 2013

Happy Thanksgiving...

...to all of my American readers. May your holiday be filled with the very best of friends, family and FOOTBALL! I actually got into the NFL (I've always watched the Canadian game) when I lived in the United Kingdom and American Thanksgiving was one of the few days when we could watch the NFL at a normal hour! 

Cover of Marvel's Fantastic Four Vol. 1 #564 (April 2009)
We Canadians are fantastically lucky to have the Great Republic to our immediate south. We've been through a great many things together -- and while we don't always agree on everything -- Canadians could not ask for a better neighbour. Safe travels to anyone away from home this Thanksgiving and have a wonderful long-weekend. 

Guardian and Captain America from Marvel's Alpha Flight Vol. 1 #39 (October 1986)

Sunday, September 1, 2013

WGTB Reviews Two Books on Superman

With Superman having turned 75 this year, it's a truism to say he is one of the most enduring fictional characters in pop-culture. But where did he come from and how has he changed over the decades? If you’ve ever asked yourself this question or just want to brush up on the Man of Steel’s history, then you’re in luck: in recent months two great books released that will help you get to know Superman better. 
 
Superboys: The Amazing Adventures of Jerry Siegel and Joe Shuster -- the Creators of Superman, Brad Ricca, St. Martin's Press, 2013, pp. 448, $33.99

The first we'll look at today is Superboys: The Amazing Adventures of Jerry Siegel and Joe Shuster -- The Creators of Superman written by Brad Ricca. Superboys is an updated creator-focused account of Superman's origins and the personal highs and lows, two of the most famous men in comics experienced while creating their iconic character.


Ricca, educated at Case Western Reserve University and Cleveland-born himself, makes the Ohio roots and the personal and professional lives of Jerry and Joe the focus of his work. Examining early accounts of the Seigel and Shuster history, the book takes us all the way back to the Netherlands, Russia and Canada before we finally arrive at Glenville High School in Ohio, where the two met and became close friends and collaborators. The book also focuses on the early science-fiction fanzines of Joe, the famous Reign of the Superman story, and the sale of the rights of Superman to National Publications. Along the way the book explores the minds and personalities of the creators with special focus on how these two teenagers longed for something better and eventually found this in Superman, only to have it torn away by a bad deal.

The research of this book is extensive and it's especially good when dealing with the legal aspects of the early Superman story. Siegel and Shuster were paid very little ($130) for use of the character and Ricca does a fantastic job at detailing what exactly happened after they made their ‘work for hire’ deal. Because the book was published in 2013, the author was also able to draw, not just upon the widely known episodes of the early years of Superman, but the latest legal proceedings, the likes of which only recently wrapped up in the Ninth Circuit Court of Appeals. Reading dialogue taken almost directly from depositions is always interesting, and certainly fits the comprehensive nature of Superboys. Much of the story of Siegel and Shuster has been told before, but if you’re looking for an up-to-date version par excellence, you will enjoy this well written and comprehensive volume. 4.5/5 STARS.

Next we turn to Superman: the Unauthorized Biography by Glen Weldon. This book is a great place for anyone who wants to know the history of the Superman character as he appeared in the various mediums that have told his story. Weldon, a freelance writer who makes regular appearances on National Public Radio in the U.S., hasn't written an "origin story" per se and barely touches on the Siegel and Shuster aspect of Superman. Rather, he surveys how Superman has evolved over the course of his distinguished career in comics and other media. 

Superman: The Unauthorized Biography, Glen Weldon, Wiley, 2013, pp. 353, $27.45

Beginning with the Golden Age character -- who at times seemed more like a self-righteous bully than the superhero we know today -- Unauthorized tells us how Superman has evolved, how his powers changed, and even mentions some of the other stranger powers that have fallen on the wayside. 







Whedon also goes through the early comic stories issue by issue, drawing on examples from the early comics to demonstrate how as the Golden Age gave way to the Silver, Bronze and Modern ages, Superman has evolved and changed with American society. We learn of the earliest and lasting villains; the Mad Men-esque conflicts with Lois Lane of the 50s and 60s; and the gimmicks, reboots and costume changes of later years that have all intended to sell more comics. 

Slogging through Golden and Silver Age comics (not to mention Superman IV: The Quest for Peace) is a challenge for even the most die-hard fan, and having done this Weldon proves his mantle as both fan and expert on the topic of Superman. Writing with a humour, style and detailed understanding of the subject matter, this book is without a doubt a great start for anyone who wants to get caught up on Superman and learn how the character has evolved over the years. The latter chapters – from the 1980s onward – are especially good at offering trade paperback suggestions for those lapsed fans looking to get caught up. As such, this book earns a 4/5 STARS

In the early part of his book, Glen Weldon boils down Superman's fundamental attributes to: 1) he always puts the needs of others ahead of himself; and, 2) he never gives up. Both of the above books, while focusing on different aspects of the Superman character, demonstrate that these common threads are what make him such an enduring and enjoyable character. Superman is and will remain one of the greatest superheroes, but his past remains just as interesting and worth knowing if you're willing to take the time. Thanks for stopping by and enjoy the rest of your summer. 

Thursday, April 18, 2013

Happy 75th Birthday, Superman!


Seventy-five years ago today, Action Comics #1 was released by National Allied Publications, one part of the company that would eventually become DC Comics. This fine magazine, an effort by Toronto-born artist Joe Shuster and Clevelander Jerry Seigel, was the culmination of a collaboratory friendship that began while both lads attended Glenville High School in eastern Cleveland, Ohio, USA. 

Cover of National Allied Publication's Action Comics #1 (April 1938)
To say Action Comics #1 made an impact on pop culture in both the United States and the Western world is an understatement. This book started a wave of superhero comics that would eventually sell in the millions and become the Golden Age of comic books. From there, Superman and both his heroic associates and villainous competitors would go on to star in a plethora of stories, cross over into other mediums and bring us a deluge of exciting entertainment. Superman is still a big seller at the comic shops today, and if this film trailer is any indication, he will continue to thrill and inspire us for years to come.  

Superman talks to the people of planet Earth in DC Comics' Superman For Earth (1991)
Happy Birthday, Superman! Thanks for looking after us all these years!

Thursday, April 4, 2013

RIP Roger Ebert & Carmine Infantino

It was quite the day. In the movie world, we lost Roger Ebert at age 70 to cancer. Ebert was a long-time film critic for the Chicago Sun-Times and probably best known for being one half of one of the greatest movie review TV programs ever: At The Movies with partners Gene Siskel and Richard Roeper. RIP Mr. Ebert.

In comics we also lost legendary artist Carmine Infantino. Born in Brooklyn in 1925, Infantino's sizable opus included work on Detective Comics, Batman, Superman, The Avengers, Captain America, Star Wars and Spider-Woman. He was a member of the Comic Book Hall of Fame and considered by both fans and historians as one of the greatest pencillers of all time. 

The spash from DC's Showcase #4 (October 1956). Reprinted as a Silver Age Classic in 1992. All images from the Silver Age Classic reprint. Written by Robert Kanigher and John Broome with art by Joe Kubert & Carmine Infantino
Cop turned superhero Barry Allen
Modern comic book fans likely know Infantino best for his contribution to the resurgence of superheroes in the post-war period. This started in 1956 when DC's editor Julius Schwartz assigned Infantino and Joe Kubert to work with writers Robert Kanigher and John Broome to resuscitate that genre which had been reduced to a scattering of titles. They did so with the creation of Barry Allen as a new "Flash". In this story, Allen was a police officer of Central City who was turned into the "Fastest Man Alive" when a science experiment and bolt of lightening combined for some unexpected results. The Flash would go on to use his powers to fight crime and without the success of Showcase #4 we arguably wouldn't have the Flash becoming a founding member of the Justice League and that fateful golf game that led to Marvel's reposte, The Fantastic Four and an expanded Silver Age of comics. 


So in thanks to Carmine Infantino and his work in our medium, I thought I'd scatter this post with images from Showcase #4's including the splashes of both stories which featured Barry Allen as the Flash. RIP Mr. Infantino.

Monday, February 11, 2013

WGTB Reviews Green Arrow #17

The creative team of Jeff Lemire and Andrea Sorrentino began their run on DC's Green Arrow this week and it certainly got off the ground with a bang. Now, I had been looking forward to this team's work since I first heard about the change in late autumn. Lemire is a writer who I've been enjoying to increasing levels over the past few years and recently happened upon his graphic novel The Nobody, finding it a quirky and odd science-fiction story that could've happened (okay, not really) in any of the small Southern Ontario communities in which I spend my youth. Lemire is also responsible for one of the sleeper hits of the New 52 and Animal Man was another reason to get me optimistic about Green Arrow #17. 
DC's Green Arrow #17 (April 2013) Written by Jeff Lemire, art and colours by Andrew Sorrentino, letters by Rob Leigh, edited by Joey Cavalieri & Kate Stewart

(Warning: Some Spoilers Below)
This is also the first Green Arrow book I’ve bought since I left the title sometime in 2011. The previous teams were okay, but just didn’t seem to mesh with what I wanted from the comic. I understood the Q-Core/high-tech Seattle-based Oliver Queen and thought it was a great modern spin on things, but I just found those books devoid (in both art and writing) of the gritty enmity that has long defined the Green Arrow and made him such an innovative character in the Bronze and early Modern ages. 

Sorrentino's menacing art is a stand-out...

...feature of Green Arrow #17 (April 2013)
So did I like #17 and did Lemire and Sorrentino live up to the hype? The short answer to this question is a resounding "Yes". It begins with a quick recap of the series which was of marginal value, but then quickly transitions into a conflict between Oli and his corporate boss, who is subsequently murdered by a flying arrow. The rest of the comic tells the tale of the Green Arrow looking for the culprit, until he comes face to face with him only to learn that every step along the way he has been two steps behind. Just when the book is about to end, Oli is saved, but it's very clear the arc is only in its early stages. 

 

Lemire and Sorrentino’s Green Arrow #17 is a well-crafted first effort and certainly has the booster-shot of grittiness I had been craving. The enemy, Komodo, is much better than anything I've seen from past Green Arrow efforts and without question Sorrentino's fantastic art made the book enjoyable on multiple levels. Indeed, the art (as you can see) makes a quicker impression on the reader, but overall, the Trent Reznor-esque tonal intensity to the writing tells me Lemire has brought his 'A' game and I'm already looking forward to the next issue. This is a must get for the week of February 6th and I think we can expect great things in the months ahead. 4.5/5 STARS 

Wednesday, December 26, 2012

WGTB Reviews Four Comics

Merry Christmas! Well, Happy Boxing Day as we call the day after Christmas here in Canada. Today was a day off for me and allowed me to take a break from all the holiday fun and write four quick reviews of comics I've read recently. As December 26th comics (Justice League and Amazing Spider-Man) haven't been read yet, the books written about today go back to the past two weeks. I hope you enjoy and are having a great holiday season.  

Marvel's Thor: God of Thunder #3 (February 2013) Written by Jason Aaron, art and cover by Esad Ribic, colour art by Ive Svorcina & lettering by VC's Joe Sabino. Edited by Lauren Sankovitch. PRICE $3.99
Jason Aaron, Esad Ribic and Ive Svorcina continue to pack a punch with the third issue of Thor: God of Thunder. I have really been enjoying this book since the Marvel NOW! relaunch of this Thor title and issue #3 gives me no reason to stop looking forward to the next. I'm finding it to be a cross between Neil Gaiman's novel American Gods and the 90's sci-fi hit Babylon 5 in good old-fashioned comic book form. This issue, the third of the God Butcher storyline, has Thor deep in space at an amazing place called Omnipotence City and then in the equally cool ninth-century Russia, both of which are amazingly drawn. The action seems to have cooled a bit from the previous issue but that's okay because in #3 we get a somewhat more cerebral caper-type story. This comic goes deeper into the back story of the ancient foe Thor is dealing with and we even see the God of Thunder fearful of what the future could hold. A lot happens in this issue but it is easier to follow now that I'm used to the threefold time-jump aspect of it. With regard to art, Ribic's work really matches Aaron's story and is doing it for me. This is comic book high-fantasy at its best. 4.5/5 STARS

Comic book high-fantasy at its best from Thor: God of Thunder #3 

DC's Nightwing #15 (February 2013) Written by Kyle Higgins, pencils by Eddy Barrows, inks by Eber Ferreira, colours by Rod Reis & letters by Carlo M. Mangual. Edited by Brian Cunningham. PRICE: $2.99
My next quick review is Nightwing #15 by Kyle Higgins, Eddy Barrows and Eber Ferreira. I hadn't read the previous issue and picked this one up because writer Kyle Higgins really knocked a recent interview on Word Balloon with John Suintres out of the park and got me interested in the Nightwing aspect of the Death of the Family storyline. This issue was a good follow-up to Batman #15 which featured a meeting of the Gotham-based Bat Family and I enjoyed seeing Dick Grayson take off on his own to deal with the Joker's master plan. So while I'm not completely familiar with the longer storyline, I have to say this was a good, enjoyable comic book. I've always liked Nightwing and found the Joker as written by Higgins to be just as equal in evil and diabolical malice as that of Scott Snyder. This issue was also a nice break from Greg Capullo's art which seems to be wearing on me in recent issues with Eddy Barrow doing a great job here capturing the menace of the Joker awesomely. The below image was especially creepy. I think I'll come back to this issue next month and maybe go looking for back-issues to get a larger sense of the Nightwing story. 3.5/5 STARS 
Barrow's art was really enjoyable this issue of Nightwing #15

Marvel's Avengers #2 (February 2013) Written by Jonathan Hickman, art by Jerome Opena, colour art by Dean White with Justin Ponsor & Morry Hollowell. Letters by VC's Cory Petit. Edited by Tom Brevoort with Lauren Sankovitch. PRICE $3.99
In the two Avengers comics we've seen thus far from Marvel NOW!, there really hasn't been much to write home about. This comic, like its cousin book Thor: God of Thunder, is high-concept story-telling and involves some of the common evolutionary and extraterrestrial based tropes we often see in sci-fi and comics. Unfortunately (and unlike Thor) this book has taken a little longer to get off the ground. Indeed, the second issue was largely a story of the second group of Avengers assembling to go and rescue the first who are in trouble off-world. I enjoyed it on the whole and the introduction to the four principal baddies and the origins of their creators, The Builders, was especially good. I also know that this is a Jonathan Hickman book so I'm probably totally wrong about not thinking it's totally amazing and should probably re-read it in a couple days to discover what I've missed. But until then it gets a promising yet mediocre 3/5 STARS.
The group is still assembling in Avengers #2

DC's JSA Liberty Files: The Whistling Skull #1 (February 2013) Written by B. Clay Moore with art by Tony Moore. Colours by Dave McCaig, letters by Wes Abbot & edited by Ben Abernathy. PRICE $2.99
Easily one of the best comic books of the month, The Whistling Skull #1 is the first issue of a mini-series that creators B. Clay Moore and Tony Harris hope will eventually be turned into an ongoing run with forty odd issues. Set (sort of) in the DC Universe, the Whistling Skull is a Justice Society of America World War II story centred around a British non-Crown affiliated protagonist who fights the Nazi's. In parts it is very funny and entertaining, while in others it is downright grim and gory. Tony Harris' art at the beginning was a little tough to get used to, but the book never-the-less grew on me and by the end I was really enjoying this fusion of fun and intrigue. Come to think of it, this is what a comic book should be so I'm going to give it a high grade and say I'm already looking forward to the second issue. 4.5/5 STARS

Tony Harris' art takes some getting used to, but eventually grows on you.