Showing posts with label Alan Moore. Show all posts
Showing posts with label Alan Moore. Show all posts

Friday, April 6, 2012

V for Vendetta and Guy Fawkes

While travelling the London Underground a few weeks back, I brought along a copy V for Vendetta by Alan Moore and David Lloyd. I hadn't read it since the film release in 2006 and wanted to enjoy it now that I was living in London. Originally a ten issue series released between September 1988 and May 1989, this story has since been reprinted in trade paperback numerous times and become a modern classic known to both fanatical and casual readers of comics alike. 
'V' from Vertigo's V for Vendetta originally published 1988-1989. Republished in 2007.
V for Vendetta tells the story of a dystopian United Kingdom, that while having avoided the carnage of nuclear war, has never-the-less survived the global political and economic collapse by walking the dark path of totalitarianism. ‘V’ our protagonist, is the mysterious and dramatic character who having been incarcerated and experimented upon by the government, uses the superpowers he acquired during these experiments to change the UK back to the free society it once was. He does this with the help of a young prostitute named Evey Hammond and wears the guise of a 17th century English revolutionary as he does it.

"V' again.
V for Vendetta is right up there with Watchmen as a masterwork of the genre and because of this I won't comment much more on the work itself. Rather, I'd like to take this opportunity to talk about one of the images that anchors the story throughout: Guy Fawkes, the above mentioned revolutionary. 

The story is about how 'V' takes his revenge and changes UK society.
Born in April 1570 in York, Fawkes lived in a time of religious tumult. During the reign of King Henry VIII, the Church in England had become the Church of England and broken with the Catholic Church in Rome. Henry's daughter, Elizabeth I, continued to foster this schism, but there was still many questions about the two faiths during her reign and beyond. Indeed, parts of Northern England were especially resistant to the Church of England and among these 'Recusants' numbered Guy Fawkes' step-father. Guy himself would eventually convert to Roman Catholicism. 

The Guy Fawkes mask worn by 'V'.
And events in England were not taking place in a vacuum. Indeed, much of Europe was embroiled in religious based wars and soon Fawkes found himself fighting for the Hapsburg Spanish in their rebellious Dutch provinces. When a temporary peace returned in that area in 1598, Fawkes returned to England where he fell in with a group of conspirators wanting to assassinate the protestant King James I, a Scot who had ascended to the English throne upon the death of his cousin Elizabeth. On the fifth of November 1605, the King, having been invited to Westminster to take part in the State Opening of Parliament, was supposed to go to Westminster where the conspirators were to explode their stashed gunpowder underneath him,  thereby killing him and much of the England's parliamentary and legal establishment. The attempt failed when it was uncovered by the King's officials and Fawkes and his co-plotters were taken into custody.
The Great Hall of the Palace of Westminster. This may have been the view Guy Fawkes during his trial.
Not without irony, Fawkes trial occurred in the Hall of Westminster, the oldest existing part of the Palace of Westminster. Now largely used for joint addresses of Parliament or other state events, this hall until the late 1800s also served as a courtroom. The indictment against Fawkes was interesting because while 17th century England had a distance to go before resembling today's justice system, the Fawkes trial was laced with language that would be anathema to any idea of natural justice. For example, most counts of the indictment are preceded with adjectives such as ‘treasonous’ or ‘traitorously’ whereas the potential victims of the crime are nearly always proceeded with ‘virtuous’ or ‘gracious’ in front of their names or titles. 
Looking at the Big Ben and the Clock Tower of the Palace of Westminster outside the doors into the Hall of Westminster.
So as you can probably guess, Fawkes and his co-conspirators were found guilty of their crimes, tortured and killed. Fawkes, never-the-less escaped the fate of a rope around his neck, when he jumped off the gallows and broke his neck before the executor could place it. He was still quartered and since then the fifth of November has subsequently become a night to celebrate the King's survival. 
The UK leader and V's antagonist, Adam Susan, monitors things in V for Vendetta
But back to the story at hand, it is a true testament to the power of V for Vendetta that the image of Guy Fawkes has surfaced in the imagination of many throughout the world as a protest figure. Indeed, his 'face' is now seen in many places -- from the Occupy Movement to the online group Anonymous. Naturally, this may have something to do with the 2006 feature film, but it is still demonstrative of the awesome power of this comic story. David Lloyd's idea of bringing Guy Fawkes to a modern context and Alan Moore's poignant and gripping story gives modern readers a new reason to explore the fascinating legal and political story of the man behind the mask. Go read V for Vendetta if you haven't already, and if you have, I hope you've enjoyed this little to voyage into English history. 








Wednesday, February 15, 2012

Thinking about Before Watchmen

The comics world erupted in controversy February 1st when DC Comics announced to it was producing seven new limited series and a one-shot epilogue titled Before Watchmen; prequels of Alan Moore's and Dave Gibbon's masterpiece Watchmen.  Is it crass opportunism or a great strategic move? Protagonists from both sides have been arguing over Twitter, YouTube and the blogosphere in the past weeks and here's my modest contribution to this pan-industry debate. 

A cover to DC's upcoming Rorschach Before Watchmen mini

A cover of DC's upcoming Comedian Before Watchmen mini
From DC's Watchmen #2 originally published October 1986, reprinted in 2008
Frankly, I'm looking forward to them. When the original Watchmen was published in 1986, I had only started reading comics and because of this didn't read the originals when first released. By the early 90s, I had managed to complete them but being used to shorter X-Men and Batman books, didn't take in as much as when I read them again in my 20s. Since, I've enjoyed Watchmen three more times and come to appreciate the story as both a masterpiece of the genre and great introductionary story for my non-comic reading friends.

Nite Owl in DC's Watchmen #1, September 1986 republished in 2008
This history is probably one of the reasons why I'm okay with these prequels. Being relatively new to the story, I'm not as emotionally attached to its original twelve issue presentation as others seem to be. Moreover, I'm also a realist. I know the industry is in a scrap and if this brings in new readers or gives comics publicity in the battle against other forms of entertainment, then I'm all for it. Yes, I know that has me siding with the corporate big-wigs in New York and LA, but there's a simple reality out there -- a profitable comics industry means better stories for us readers and more jobs for comic creators. 
A cover of DC's upcoming Silk Spectre Before Watchmen mini
Which brings me to much used Star Wars argument -- likely something I don't need to explain. And while I'm willing to concede the Star Wars prequel trilogy was a disaster, these new films didn't ruin my love of the original trilogy and Empire Strikes Back remains my favourite film to this day. Because of this, I'm taking a similar view regarding Before Watchmen. If they bomb, the greatness of original series will not be diminished one iota. That said, DC knows it can't drop the ball on this one and that's why they've assembled a great team to do it. Look at the list and you'll see what I mean.
Ozymandias in DC's Watchmen #10, July 1987 republished in 2008 
So if you're already against Before Watchmen, then send DC a message and don’t buy them. Me, I'll be reading, reviewing and (hopefully) enjoying seeing how Ozymandias and Dr. Manhattan became the great characters I know them as. I know not every Before Watchmen comic will be perfect -- but I'm willing to give them a chance and hope they're a successful enterprise for DC. As stated above: the stronger the industry the better the stories for all of us. 

Tuesday, July 5, 2011

SuperSoundtracks #4: David Bowie and Adam Strange

But first a quick recap: What are SuperSoundtracks?

Combining two awesome things – music and comics – SuperSoundtracks takes a comic book character and pairs them with a song. It was inspired by the brilliant yet obscure music from the John Hughes classic Ferris Bueller’s Day Off, and tries to avoid singles when at all possible.


(Adam Strange in Mystery in Space #78 (1962) reprinted in Strange Adventures, #239, Autumn 1972)

Adam Strange is a name that just screams comic books. Just look at the etymology: 'Adam' from the Hebrew ādhām meaning ‘man’ and 'Strange' from the Latin extrāneus; meaning ‘foreign’.

(Adam Strange in Mystery in Space #78 (1962) reprinted in Strange Adventures, #239, Autumn 1972)

Adam Strange is also one of those great comic book characters from the early Silver Age who has the fingerprints of the Golden Age all over him. This, of course, shouldn’t surprise anyone as he was created by the brilliant Gardner Fox who was as prolific in 40s as he was in the 50s. First appearing in Showcase #17 (November 1958) Dr. Adam Strange was a human archaeologist on an expedition in South America when he discovered a Zeta Beam, which was able to take him from Earth to the distant planet of Rann. While there, Strange became Rann’s ‘Champion’ and would meet and fall in love with Alanna, daughter of Rann’s leader Sardath, a glasses wearing baldy who also happened to be the inventor of the Zeta Beam.

(Sardath, Adam Strange and Alanna in Mystery in Space #78 (1962) reprinted in Strange Adventures, #239, Autumn 1972)

(Adam Strange in Rann-Thanagar War #1, April 2006)

(Adam Strange in the Countdown to Infinite Crisis oneshot, March 2005)

Strange never became a mainstay of the DC stable and unlike Showcase alumni Green Lantern or Flash, never had his own book. He would however, become a strong partnering character, and would often feature in titles such as Batman: Brave and the Bold, Mystery in Space or Strange Adventures.

In the late 80s Alan Moore involved him in an adventure with a dark twist – Rann had become a dying world and needed Adam Strange to help repopulate the planet. and this theme would find its way into a good early 1990 limited series called Adam Strange: A Man of Two Worlds. Adam Strange would also feature prominently in a n Infinite Crisis special called the Rann-Thanagar War and in the successful 52 series months later. In 2007 he was ranked 97 of the top 100 comic heroes, but WGTB believes he deserves a much higher number.

(Adam Strange in Mystery in Space #78 (1962) reprinted in Strange Adventures, #239, Autumn 1972)

The song selected to be Adam Strange’s SuperSoundtrack is ‘Starman’ by David Bowie. Admittedly, this song could go with any number of comic heroes: ROM, Mar-vell, Silver Surfer and even Hal Jordan. But WGTB has selected Adam Strange because both Bowie and Strange are champions of longevity, and both have remained relevant and fresh after a long time. Also, the guitar of Starman is somewhat retro while the lyrics are futuristic, just like Adam Strange. Coming from the great album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Starman remains one of the marque songs on this incredibly important album, called by one source the 3rd most important album in the history of alternative rock. The BBC has also ranked it very high and WGTB considers it David Bowie's best.

WGTB is proud to present Adam Strange's SuperSoundtrack; Starman by that other cool alien among us, David Bowie!!!


© Mark J. Stewart, 2011.
All rights reserved.