Showing posts with label DC. Show all posts
Showing posts with label DC. Show all posts

Friday, February 7, 2014

Lex Luthor & Corporate Crimes in Canada

I recently read John Byrne’s mid 1980s classic The Man of Steel, a re-imagining of the original Superman story. This six part mini-series recounted how Superman escaped Krypton, met Batman and the Daily Planet crew, met Bizarro and perhaps most importantly met Lex Luthor and subsequently became his arch enemy. In the fifth comic of the story, Luthor, after an attempt to kill Superman, hides behind the myriad of corporations he controls and shields himself from any criminal responsibility for his actions. Have a look: 

Image from DC's The Man of Steel Vol. 1 #5 (December 1986) Writing and pencils by John Byrne, inks by Dick Giordano, colours by Tom Ziuko & letters by John Costanza. 
From DC's The Man of Steel Vol. 1 #5 (December 1986)
From DC's The Man of Steel Vol.1 #5 (December 1986)
The story has Lex effectively shield himself from the crime by way of his corporation(s). When I read this I thought it might be an interesting issue to discuss in this blog: namely when can a corporation be found guilty of a criminal act? The following entry will examine criminal law and how it relates to the corporate activity within the Canadian context. With hope, you’ll leave here with a better understanding of how Canadian corporate law works and how exactly a corporation can be found criminally responsible for an action it's involved in. For the purposes of this piece I will use the Canadian Business Corporations Act (CBCA) as the statutory basis for our examination. This is the statute used when companies choose to incorporate federally.

We start with the basic idea that a corporation created under Canadian law is a separate legal personality and has, according to Section 15 of the CBCA, the rights of a “natural person”. To better illustrate this Canadians can look back to England to get a sense of what this exactly means. The case Solomon v Solomon Brothers and Company Limited [1897] from the House of Lords held that Mr. Solomon, the founder of the company at issue could not be held personally accountable to creditors for the acts of his namesake company because they were separate legal personalities. This idea was later codified in the CBCA in Sections 15 and 45 with s.45 reading: “The shareholders of a corporation are not, as shareholders, liable for any liability, act or default of the corporation.” This notion, that there was a separation between shareholders and management and the corporation has subsequently been labelled by some as the “corporate veil” and was undoubtedly on Lex Luthor's mind when he taunted Superman. 

The notion that a corporate body has a separate legal personality hasn’t gone without commentary as common law developed and many jurists from both sides of the Atlantic have considered it. In the early 1600s for example, English jurist Sir Edward Coke (pronounced "Cook") in the Sutton Hospital Case (1613) noted that the corporation was “aggregate of many is invisible, immortal and resteth only in intendment and consideration of the law" (sic) and "They may not commit treason, nor be outlawed nor excommunicate, for they have no souls." Centuries later the fourth and longest serving Chief Justice of the United States John Marshall remarked in Dartmouth College v Woodward (1819) that the corporation was "an artificial being, invisible, intangible and existing only in contemplation of law". Clearly these legal greats saw corporations as strictly legal constructs. But this raises the question: what if these legal entities are used for less-than-honourable purposes? Such a consideration brings to mind the observations of Lord Thurlow who wrote in 1844 that corporations had: "neither bodies to be punished, nor souls to be condemned; they therefore do as they like.”

Which brings us back to managers like Lex Luthor who use the corporation to shield their criminal acts. A corporation cannot shake a hand, so it stands to reason it can also not wield a gun or in the case of The Man of Steel #5 a space-suited assassin! These are all issues the courts have dealt with since Solomon as corporations have grown to wield immense power and influence in modern society.

In the 1980s of Gordon Gekko, Lex Luthor was turned from mad scientist to fat cat capitalist criminal. Image from DC's The Man of Steel Vol. 1 #4 (November 1986)
To begin our discussion on corporate criminal liability, we should first briefly look at the basics of criminal fault. In criminal law, there are two principal elements that are needed for a crime to occur: the Mens Rea or the "guilty mind" and the Actus Reus, the "guilty act". Finding an Actus Reus of a corporate crime could require just looking to see if some kind of wrong has occurred. The harder part is finding a Mens Rea because it is somewhat complex to attribute a guilty mind to an abstract legal entity. Moreover, how could the prosecution, acting on behalf of the Crown in Canada, prove beyond a reasonable doubt that the corporation committed the crime? As is usually the case, a look at common law is the best way to understand how the courts have grappled with this issue over time.

Let's begin with the case Lennard’s Carrying Company v Asiatic Petroleum [1915] from the UK's House of Lords. Here Lord Haldane held that the guiding principle in English corporate law would be that: 

The corporation was an abstraction. It has no mind of its own any more than it has a body of its own; its active and directing will must consequently be sought in the person of somebody who for some purpose may be called an agent, but who is really the directing mind and will of the corporation, the very ego and centre of the personality of the corporation.

Sound familiar? Here Lord Haldane essentially tows the Coke line and left the corporation untouched with regard to criminal acts. This notion would remain strong in Canadian law until decades later when it started to get chipped away by judges who saw things differently and pushed the law in another direction. For example, in 1941 the Alberta Court of Appeal in R v Fane v Robinson Ltd. set aside an acquittal of two companies where two of the directors and officers conspired to defraud an insurance company. The judge in this case found that the people responsible were acting and directing the corporation and it was here that we saw the germination of what would become the Identification Theory. The Identification Theory merges a Mens Rea with a corporate body using something called the Directing Mind.

For the Identification Theory to work the Directing Mind must use the corporation as a means to commit the crime while at the same time be at the centre of its operations. For example in R v St. Lawrence Corporation [1969] the Ontario Court of Appeal (the highest court of Canada’s largest province and one step below the Supreme Court of Canada) held that the officer or senior official must be a "primary representative through whom the company acts, speaks and thinks." St. Lawrence also remarked how actions taken outside the official responsibility of the leader do not fall within the Identification Theory. So if Lex Luthor was embezzling money from one of his companies then it would be another matter entirely because the company is the victim. In this instance it would be up to the shareholders to sue Luthor on behalf of the company in what is called a Derivative Action. 

Luthor could never understand why Superman didn't want to work for him. Imagine that! Image from DC's The Man of Steel Vol.1 #4 (November 1986)
A good example of the Identification Theory at work is in R v Waterloo Mercury Sales Ltd. [1974] from the Alberta District Court. In this case the sales manager of a car dealership reversed odometers to help sell cars. The dealership had a policy against this clearly fraudulent activity, but it was still not enough to keep it blameless because the individual doing the tampering was the directing mind for the purposes of the criminal activity.

Image from DC's The Man of Steel Vol. 1 #4 (November 1986)  
Since 1985 the most important case relating to corporate criminal responsibility has been R v Canadian Dredge and Dock Ltd. which was heard before the Supreme Court of Canada. In this case several corporations were charged with fraud after colluding in bidding for a contract to dredge Hamilton Harbour at the west end of Lake Ontario. The group's plan was to low-ball one offer and then have the winning company issue contracts to each of the losing partners. Here the court upheld the Identification Theory and stated that when the operating mind, brain area or ego of the corporation was so identified with the act of the individuals then the legal entity (the company) became the source of primary liability. This marked a near entrenchment of the Identification Theory into Canadian law.

And in light of the power corporations have in Canadian society, it should surprise no-one that in 2003 the Canadian parliament passed amendments to the Criminal Code of Canada that redefined the circumstances in which corporations could be held criminally responsible. The current law says that it is no longer simply a Directing Mind that needs to commit the crime, but now it can also include a representative, senior officer or anyone who was knowingly involved in the offence in a specific way, even if they did not actually commit it. The Code also expands liability so that the Mens Rea of the crime may be split into multiple representatives of the corporation and can now include not just directors and officers but also employees, agents and even contractees. 

So there you have it: a little bit about corporate criminal acts and Canadian law using Lex Luthor as a prompt. I hope you enjoyed it and even learned a little something with the help of an important comic mini-series.  As for The Man of Steel itself, it was good trade-paperback. A little dated as happens with 80s comics in 2014, but still an enjoyable reading experience. As always, thanks for stopping by and happy reading! 

Sunday, September 1, 2013

WGTB Reviews Two Books on Superman

With Superman having turned 75 this year, it's a truism to say he is one of the most enduring fictional characters in pop-culture. But where did he come from and how has he changed over the decades? If you’ve ever asked yourself this question or just want to brush up on the Man of Steel’s history, then you’re in luck: in recent months two great books released that will help you get to know Superman better. 
 
Superboys: The Amazing Adventures of Jerry Siegel and Joe Shuster -- the Creators of Superman, Brad Ricca, St. Martin's Press, 2013, pp. 448, $33.99

The first we'll look at today is Superboys: The Amazing Adventures of Jerry Siegel and Joe Shuster -- The Creators of Superman written by Brad Ricca. Superboys is an updated creator-focused account of Superman's origins and the personal highs and lows, two of the most famous men in comics experienced while creating their iconic character.


Ricca, educated at Case Western Reserve University and Cleveland-born himself, makes the Ohio roots and the personal and professional lives of Jerry and Joe the focus of his work. Examining early accounts of the Seigel and Shuster history, the book takes us all the way back to the Netherlands, Russia and Canada before we finally arrive at Glenville High School in Ohio, where the two met and became close friends and collaborators. The book also focuses on the early science-fiction fanzines of Joe, the famous Reign of the Superman story, and the sale of the rights of Superman to National Publications. Along the way the book explores the minds and personalities of the creators with special focus on how these two teenagers longed for something better and eventually found this in Superman, only to have it torn away by a bad deal.

The research of this book is extensive and it's especially good when dealing with the legal aspects of the early Superman story. Siegel and Shuster were paid very little ($130) for use of the character and Ricca does a fantastic job at detailing what exactly happened after they made their ‘work for hire’ deal. Because the book was published in 2013, the author was also able to draw, not just upon the widely known episodes of the early years of Superman, but the latest legal proceedings, the likes of which only recently wrapped up in the Ninth Circuit Court of Appeals. Reading dialogue taken almost directly from depositions is always interesting, and certainly fits the comprehensive nature of Superboys. Much of the story of Siegel and Shuster has been told before, but if you’re looking for an up-to-date version par excellence, you will enjoy this well written and comprehensive volume. 4.5/5 STARS.

Next we turn to Superman: the Unauthorized Biography by Glen Weldon. This book is a great place for anyone who wants to know the history of the Superman character as he appeared in the various mediums that have told his story. Weldon, a freelance writer who makes regular appearances on National Public Radio in the U.S., hasn't written an "origin story" per se and barely touches on the Siegel and Shuster aspect of Superman. Rather, he surveys how Superman has evolved over the course of his distinguished career in comics and other media. 

Superman: The Unauthorized Biography, Glen Weldon, Wiley, 2013, pp. 353, $27.45

Beginning with the Golden Age character -- who at times seemed more like a self-righteous bully than the superhero we know today -- Unauthorized tells us how Superman has evolved, how his powers changed, and even mentions some of the other stranger powers that have fallen on the wayside. 







Whedon also goes through the early comic stories issue by issue, drawing on examples from the early comics to demonstrate how as the Golden Age gave way to the Silver, Bronze and Modern ages, Superman has evolved and changed with American society. We learn of the earliest and lasting villains; the Mad Men-esque conflicts with Lois Lane of the 50s and 60s; and the gimmicks, reboots and costume changes of later years that have all intended to sell more comics. 

Slogging through Golden and Silver Age comics (not to mention Superman IV: The Quest for Peace) is a challenge for even the most die-hard fan, and having done this Weldon proves his mantle as both fan and expert on the topic of Superman. Writing with a humour, style and detailed understanding of the subject matter, this book is without a doubt a great start for anyone who wants to get caught up on Superman and learn how the character has evolved over the years. The latter chapters – from the 1980s onward – are especially good at offering trade paperback suggestions for those lapsed fans looking to get caught up. As such, this book earns a 4/5 STARS

In the early part of his book, Glen Weldon boils down Superman's fundamental attributes to: 1) he always puts the needs of others ahead of himself; and, 2) he never gives up. Both of the above books, while focusing on different aspects of the Superman character, demonstrate that these common threads are what make him such an enduring and enjoyable character. Superman is and will remain one of the greatest superheroes, but his past remains just as interesting and worth knowing if you're willing to take the time. Thanks for stopping by and enjoy the rest of your summer. 

Thursday, April 18, 2013

Happy 75th Birthday, Superman!


Seventy-five years ago today, Action Comics #1 was released by National Allied Publications, one part of the company that would eventually become DC Comics. This fine magazine, an effort by Toronto-born artist Joe Shuster and Clevelander Jerry Seigel, was the culmination of a collaboratory friendship that began while both lads attended Glenville High School in eastern Cleveland, Ohio, USA. 

Cover of National Allied Publication's Action Comics #1 (April 1938)
To say Action Comics #1 made an impact on pop culture in both the United States and the Western world is an understatement. This book started a wave of superhero comics that would eventually sell in the millions and become the Golden Age of comic books. From there, Superman and both his heroic associates and villainous competitors would go on to star in a plethora of stories, cross over into other mediums and bring us a deluge of exciting entertainment. Superman is still a big seller at the comic shops today, and if this film trailer is any indication, he will continue to thrill and inspire us for years to come.  

Superman talks to the people of planet Earth in DC Comics' Superman For Earth (1991)
Happy Birthday, Superman! Thanks for looking after us all these years!

Thursday, April 4, 2013

RIP Roger Ebert & Carmine Infantino

It was quite the day. In the movie world, we lost Roger Ebert at age 70 to cancer. Ebert was a long-time film critic for the Chicago Sun-Times and probably best known for being one half of one of the greatest movie review TV programs ever: At The Movies with partners Gene Siskel and Richard Roeper. RIP Mr. Ebert.

In comics we also lost legendary artist Carmine Infantino. Born in Brooklyn in 1925, Infantino's sizable opus included work on Detective Comics, Batman, Superman, The Avengers, Captain America, Star Wars and Spider-Woman. He was a member of the Comic Book Hall of Fame and considered by both fans and historians as one of the greatest pencillers of all time. 

The spash from DC's Showcase #4 (October 1956). Reprinted as a Silver Age Classic in 1992. All images from the Silver Age Classic reprint. Written by Robert Kanigher and John Broome with art by Joe Kubert & Carmine Infantino
Cop turned superhero Barry Allen
Modern comic book fans likely know Infantino best for his contribution to the resurgence of superheroes in the post-war period. This started in 1956 when DC's editor Julius Schwartz assigned Infantino and Joe Kubert to work with writers Robert Kanigher and John Broome to resuscitate that genre which had been reduced to a scattering of titles. They did so with the creation of Barry Allen as a new "Flash". In this story, Allen was a police officer of Central City who was turned into the "Fastest Man Alive" when a science experiment and bolt of lightening combined for some unexpected results. The Flash would go on to use his powers to fight crime and without the success of Showcase #4 we arguably wouldn't have the Flash becoming a founding member of the Justice League and that fateful golf game that led to Marvel's reposte, The Fantastic Four and an expanded Silver Age of comics. 


So in thanks to Carmine Infantino and his work in our medium, I thought I'd scatter this post with images from Showcase #4's including the splashes of both stories which featured Barry Allen as the Flash. RIP Mr. Infantino.

Monday, February 11, 2013

WGTB Reviews Green Arrow #17

The creative team of Jeff Lemire and Andrea Sorrentino began their run on DC's Green Arrow this week and it certainly got off the ground with a bang. Now, I had been looking forward to this team's work since I first heard about the change in late autumn. Lemire is a writer who I've been enjoying to increasing levels over the past few years and recently happened upon his graphic novel The Nobody, finding it a quirky and odd science-fiction story that could've happened (okay, not really) in any of the small Southern Ontario communities in which I spend my youth. Lemire is also responsible for one of the sleeper hits of the New 52 and Animal Man was another reason to get me optimistic about Green Arrow #17. 
DC's Green Arrow #17 (April 2013) Written by Jeff Lemire, art and colours by Andrew Sorrentino, letters by Rob Leigh, edited by Joey Cavalieri & Kate Stewart

(Warning: Some Spoilers Below)
This is also the first Green Arrow book I’ve bought since I left the title sometime in 2011. The previous teams were okay, but just didn’t seem to mesh with what I wanted from the comic. I understood the Q-Core/high-tech Seattle-based Oliver Queen and thought it was a great modern spin on things, but I just found those books devoid (in both art and writing) of the gritty enmity that has long defined the Green Arrow and made him such an innovative character in the Bronze and early Modern ages. 

Sorrentino's menacing art is a stand-out...

...feature of Green Arrow #17 (April 2013)
So did I like #17 and did Lemire and Sorrentino live up to the hype? The short answer to this question is a resounding "Yes". It begins with a quick recap of the series which was of marginal value, but then quickly transitions into a conflict between Oli and his corporate boss, who is subsequently murdered by a flying arrow. The rest of the comic tells the tale of the Green Arrow looking for the culprit, until he comes face to face with him only to learn that every step along the way he has been two steps behind. Just when the book is about to end, Oli is saved, but it's very clear the arc is only in its early stages. 

 

Lemire and Sorrentino’s Green Arrow #17 is a well-crafted first effort and certainly has the booster-shot of grittiness I had been craving. The enemy, Komodo, is much better than anything I've seen from past Green Arrow efforts and without question Sorrentino's fantastic art made the book enjoyable on multiple levels. Indeed, the art (as you can see) makes a quicker impression on the reader, but overall, the Trent Reznor-esque tonal intensity to the writing tells me Lemire has brought his 'A' game and I'm already looking forward to the next issue. This is a must get for the week of February 6th and I think we can expect great things in the months ahead. 4.5/5 STARS 

Saturday, September 8, 2012

WGTB reviews Phantom Stranger

Unlike most of DC's books during 'Zero Month', The Phantom Stranger #0 is the start an ongoing series with #1 arriving in early October. Not being a big ghost/vampire comics fan, I'm not normally one to pick up supernatural books. Yet for some reason the Phantom Stranger has always fascinated me and I always enjoy reading his stories when I can. 
(Warning: some spoilers below)
DC Comic's Phantom Stranger Vol. #3 #0 (November 2012) Written by Dan Didio, Art by Brent Anderson and Inks by Scott Hanna. $2.99
Maybe it's because the Phantom Stranger is one of DC’s most established yet mysterious characters. First appearing in The Phantom Stranger #1 (September 1952) he was created by Silver Age legends John Broome and Carmine Infantino, and is one of those comic characters who seems to pop up every decade or so in an ongoing or mini-series. All along he's had a relatively simple yet effective modus operandi: appearing to someone in need of assistance and providing them with some guidance before they make a catastrophic error in judgment.  
Image from The Phantom Stranger #34 (Vol. #2 December 1974) This issue saw the Stranger showing up bandy wits with Organized Crime and included a cyborg. Classic Bronze Age.
Which is how The Phantom Stranger #0 proceeds for the most part. It begins with a short account of the trial found in The New 52 Free Comic Book Day Special Edition #1 in which it is explained where the Stranger received his supernatural abilities and further establishes his origins in that era of time and area of geography where people spoke Aramaic. At his trial he is condemned by the Council of Wizards to wear silver coins around his neck and the humble robe of the person he betrayed. The Roman Catholic in me saw this as pretty obvious, but at the same time it wasn't so over the top as to be a distraction. That said, I would have preferred his origins were not tied to a certain religious creed-story which might make him less accessible to people not of that specific religious bent. But the point is made: the Stranger did a terrible wrong to someone who was both good and had powerful friends. 

From DC's The Phantom Stranger #0 (Vol. #3 November 2012)
We then fast forward to contemporary times where the Stranger helps someone about to make a grievous error. Because I wasn't able to get the Free Comic Book Day edition, I wasn't exactly up to speed with everything in this previous Stranger story. But that wasn't too problematic as the plot generally followed the familiar pattern of many The Phantom Stranger stories, except towards the conclusion we see another DC supernatural stalwart and a conflict is set up between the two. This will undoubtedly be carried forward in the next issue.

For the most part I enjoyed the book and am looking forward to the series. While Dan Didio's writing didn’t knock my socks off, it was neat seeing the account of the Stranger’s origins, something DC has long kept close to their chest. As mentioned, the Jesus connection was a little too religious-specific for my tastes, but that aside, it was an okay origin story. Long-time comic book artist Brent Anderson's work was mature in its tone and despite the fact that there wasn't anything to exclaim 'Wow!' about in art, it captured the cool and creepy of the protagonist and worked well with the mature theme of the story. 
Great Modern Age art from Mike Mignola in The Phantom Stranger #1 (Vol. #3 October 1987) In this story the Stranger heads to Gotham City. 
So pick up Phantom Stranger #0 and see if you like it. I know you have already if you're a fan, but for non-fans the $2.99 price-point makes it an easy purchase for a brand new series. I can't guarantee you'll get past issue two or three, but #0 is a decent story to start it off and The Phantom Stranger may just be a strong addition to the cache of DC's supernatural books. 

4/5 STARS

Sunday, February 26, 2012

London Super Comic Convention

This past weekend I attended the London Super Comic Convention at the ExCel Centre in the London Docklands. It was the inaugural event of what I'm sure organizers hope becomes a European San Diego, and while there were a few kinks -- notably the excessively long queues -- it was a good event and featured an impressive array of talent including George Perez, Howard Chaykin, Paul Cornell, Fred Van Lente and the LEGENDARY Stan Lee. 


Here are some choice photos from the day, including some of the trip there. I also found some great British indie comics and will be reviewing them shortly, but for now enjoy the photos and my commentary.   
Walking to Bank Station to head to the London Docklands.
Bank of England, Royal Exchange and a bus
Leaving the Docklands Light Rail to the ExCel Centre.
London Docklands -- once the world's largest port.
ExCel London
Waiting to get in. The queues were were rather long and a first detracted from the overall experience. 
Retailers and fans
The How to Write A Comic Script panel. Unfortunately, the woman on the left was an ad hoc addition and I didn't catch her name. If you know please comment. Other writers (L to R) Mike Carey, Fred Van Lente, Kieron Gillen and Andy Lanning.
Cosplayers 
While waiting for an autograph from Fred Van Lente, Stan appeared to continue signing. It got crazy shortly after I took this photo.
Most of Stan Lee's bodyguards looked like they're former Soviet Special Forces.
Spidey, Stan & Spetsnaz!
Stan Lee: Living the Dream from 1940 to Present Day. At this panel Stan regaled us with some great stories about the beginning of his career, working with Jack Kirby and Steve Ditko on the Fantastic Four and Spider-Man as well as his current and future activities in the entertainment business. Most of the stories were well documented, but it was great to hear them from 'The Man' himself. 
Nuff Said!