Showing posts with label Marvel NOW. Show all posts
Showing posts with label Marvel NOW. Show all posts

Friday, March 28, 2014

The Avengers, Omega Flight & Westminster style Executive Government

While rereading Avengers Vol. 5 #10 recently I noticed (remembered!) how the story took the Avengers to Canada where we had an alien force take over Regina, the capital city of the province of Saskatchewan. Canada's Department H had reluctantly called in S.H.I.E.L.D. and the US-based Avengers for help when this little gem of dialogue appeared: 

Image from Marvel's Avengers Vol. 5 #10 (June 2013) Written by Jonathan Hickman, Pencils by Mike Deodato, Colours by Frank Martin, Letters by Cory Petit.

Image from Marvel's Avengers #10.
A military department with nuclear weapons that "his government" (and by this I presume the elected politicians) doesn't know about. Could this even happen in Canada? Could there be such a disconnect between a government department and the elected leadership that, as Logan suggests an "old school" government agency could have access to nukes that nobody knows about? And if so could this thing even be legal? This piece will examine this issue using the history of both the Canadian and British parliamentary systems as well as the current law that governs the Department of National Defence to explain how this in fact could not happen. Legal issues aside, this was an enjoyable story is not an indictment of the actual writing or art in any way. 

Canada is what can be called a Westminster democracy because it is modelled after the UK’s parliament located in Westminster, London. The British parliament has been a model for many democracies around the world, not just those 16 states that share Queen Elizabeth II as their head of state. Naturally, as these different states have evolved they have made subtle changes to better reflect the realities of their geographic and political realities, but in essence Westminster systems tend to remain quite similar. Examples of such changes include Australia, which while sharing the Queen has an elected upper chamber, whereas members of their British and Canadian equivalents, the House of Lords and Senate of Canada respectively, are appointed by the Queen on the advice of their prime minister.  Since 1982 Canada has also had an entrenched constitution with a Charter of Rights and Freedoms which is a legal document that while allowing for both the federal parliament in Ottawa and the provincial legislatures to pass laws, also serves as an entrenched check against these legislatures and their laws have been found to be unconstitutional and struck down by the courts. Westminister style states can also include republican countries such as Israel or India who have presidents yet operate in a similar fashion as their monarchical cousins and have prime ministers who make the political decisions and are elected members of parliament. 

The UK's MI: 13 (The MI stands for "Military Intelligence" and dates back to WWII) would follow a similar chain of command as Canada's Department H, as Canada's system of governance was largely modelled after the UK's. Image from Marvel's Revolutionary War: Alpha (March 2014) Written by Andy Lanning & Alan Cowsill, Art by Rich Elson, Colours by Antonio Fabela.
History

While the history of parliamentary governance reaches back further than the Norman invasion of England in 1066, it's here where we’ll begin our discussion. It was that pivotal year that the Normandy-based duke William conquered England and took the kingship of the realm. Not knowing the country as well as he might, the new king and his descendants set about inviting England’s landowners to join in the governance of the consolidated kingdom. Over time these aristocrats grew robust in the defence of their newly acquired rights and responsibilities and by the early 1200s were in rebellion against one of William's lesser decendents, John. So it was in 1215 that John was made to sign Magna Carta, which subjected him to the law and disallowed him from raising taxes or an army without their consent. From John onwards, certain favourites or competent individuals would assume positions of power and influence and the early stages of ministerial government developed.

But it was in the seventeenth century that things came to a fore. In 1603 James VI of Scotland became the King of England upon the death of his cousin Elizabeth I and this brought a different tone to the governance of England. James was influenced by continental rhetoric that envisioned a more centralized and monarch-centred ideal and soon set out to implement this as policy. This thinking became even more pronounced when James' son Charles assumed the English throne and would culminate when parliamentary and royalist forces went to war in the English Civil War (1642 to 1651). This war ultimately led to Charles’s execution, but when the republican experiment failed, Charles's son (Charles II) was invited to become King. When he died, his brother assumed the throne but being Catholic, was unacceptable to England’s largely Protestant aristocracy. So when James II finally became unpalatable for English nobles, they invited the Dutch Prince William of Orange (who was married to James’ daughter Mary) to become co-regent with his wife. But in order to become King, William was made to sign a contract of sorts – called the Bill of Rights of 1689 – containing a number of provisions of which the king had to adhere. These included a prohibition of cruel and unusual punishment, jury trials for criminal matters and other such things.

The marker denoting the site in Westminster Hall where Charles Stuart, King of England was sentenced to death. Photo by Blogger.

Westminster Hall. This is the oldest party of the Palace of Westminster. The above shown plaque is on the stairs. Photo by Blogger.
Giving the crown to William and Mary under such conditions represented a seismic shift in the constitutional status of England. By setting conditions, the nobles and the representative body of parliament ascended into an arrangement with the King that changed the legal landscape. Henceforth, it was the "King-In-Parliament" that had sovereign power in England and not only could the King not act unilaterally (as per Magna Carta), if a law was passed in parliament it was indisputably the law of the land and the only thing parliament could not do is pass a law that bound itself. The Crown's prerogative powers which was the body of customary authority, privilege, and immunity, that was the sole prerogative of the sovereign and included defence, foreign affairs and keeping the peace – were largely maintained and would remain considerable until gradually chipped away by parliamentary statute. But the legal Rubicon had been crossed and parliament was now a sovereign body that could make laws as it decided. Mary died in 1693 and William in 1702 and eventually the crown passed to Anne, Mary’s sister. But when Anne died without an heir, the closest protestant candidate was George, Elector of Hanover, a German who could not speak English. Because of these linguistic issues by the end of George’s reign, much of the responsibilities for the governance of the realm were on the shoulders of a parliamentarian named Sir Robert Walpole and he is largely considered Britain’s (and therefore the Commonwealth’s) first Prime Minister. 

A century and a half later in 1867, when the three colonies of British North America came together to form Canada, its establishing act from the British parliament called the British North America Act stated in its preamble that the newly formed Canada was to be a federal union of "One Dominion under the Crown of the United Kingdom of Great Britain and Ireland, with a Constitution similar in Principle to that of the United Kingdom." 

Ministerial Government

Which brings us back to the question at hand: could a Canadian Prime Minister or Minister of Defence not know that the department which he or she ultimately controls has access nuclear weapons? Currently, the Prime Minister of Canada is selected by the Governor-General of Canada (the Queen's representative in Canada) to become PM. This is usually done after an election in which the party he or she leads wins the most seats in parliament. Once this happens, the Prime Minister-elect sets about deciding on who will join him or her to form the Canadian Ministry, which over time by constitutional convention (these are not laws but conventions that have evolved) has taken the prerogative powers of the Crown and become their sole exerciser. These are typically other Members of Parliament and are chosen not just for their competence but other politically calculated considerations which include but are not limited to province of origin, ethnicity, city or constituency.  

All of these Canadian government resources are ultimately under the control of a minister who must answer to the House of Commons. Image from Marvel's Avengers #10.
Once a minister is chosen, he or she is sworn into the Queen’s Privy Council for Canada. The Privy Council's active component are those individuals who are responsible for running or assisting with the operations of government departments such as the Ministry of Finance, Justice Canada or the Department of National Defence. Leaders of the Opposition are also sworn into the Privy Council so they can have access to secret information, but they do not head a government department and actively oppose the government in the House of Commons where each minister is held to account. Because of this, it is ultimately the minister who is responsible for its bureaucrats and employees. So if Department H were to acquire nuclear weapons without the Minister of National Defence knowing, this would be counter the National Defence Act, 1985 which reads in Section 4:
 
The Minister holds office during pleasure, has the management and direction of the Canadian Forces and of all matters relating to national defence and is responsible for
  • (a) the construction and maintenance of all defence establishments and works for the defence of Canada; and
  • (b) research relating to the defence of Canada and to the development of and improvements in materiel.

Remember this law was passed by the heir of the sovereign parliament of 1689 and is very clear: the Minister of Defence is responsible for all matters relating to national defence. So even if Department H was created by a separate statute by the Canadian parliament (to my knowledge Marvel has never stated which statute created Department H) it would most likely be governed by similar language as the NDA and would ultimately have a minister responsible for it. Because of this, Logan's "old school" friends with their secret arsenal are clearly operating outside of the law and counter to centuries of both historical negotiation and constitutional and legal development.

Wednesday, December 26, 2012

WGTB Reviews Four Comics

Merry Christmas! Well, Happy Boxing Day as we call the day after Christmas here in Canada. Today was a day off for me and allowed me to take a break from all the holiday fun and write four quick reviews of comics I've read recently. As December 26th comics (Justice League and Amazing Spider-Man) haven't been read yet, the books written about today go back to the past two weeks. I hope you enjoy and are having a great holiday season.  

Marvel's Thor: God of Thunder #3 (February 2013) Written by Jason Aaron, art and cover by Esad Ribic, colour art by Ive Svorcina & lettering by VC's Joe Sabino. Edited by Lauren Sankovitch. PRICE $3.99
Jason Aaron, Esad Ribic and Ive Svorcina continue to pack a punch with the third issue of Thor: God of Thunder. I have really been enjoying this book since the Marvel NOW! relaunch of this Thor title and issue #3 gives me no reason to stop looking forward to the next. I'm finding it to be a cross between Neil Gaiman's novel American Gods and the 90's sci-fi hit Babylon 5 in good old-fashioned comic book form. This issue, the third of the God Butcher storyline, has Thor deep in space at an amazing place called Omnipotence City and then in the equally cool ninth-century Russia, both of which are amazingly drawn. The action seems to have cooled a bit from the previous issue but that's okay because in #3 we get a somewhat more cerebral caper-type story. This comic goes deeper into the back story of the ancient foe Thor is dealing with and we even see the God of Thunder fearful of what the future could hold. A lot happens in this issue but it is easier to follow now that I'm used to the threefold time-jump aspect of it. With regard to art, Ribic's work really matches Aaron's story and is doing it for me. This is comic book high-fantasy at its best. 4.5/5 STARS

Comic book high-fantasy at its best from Thor: God of Thunder #3 

DC's Nightwing #15 (February 2013) Written by Kyle Higgins, pencils by Eddy Barrows, inks by Eber Ferreira, colours by Rod Reis & letters by Carlo M. Mangual. Edited by Brian Cunningham. PRICE: $2.99
My next quick review is Nightwing #15 by Kyle Higgins, Eddy Barrows and Eber Ferreira. I hadn't read the previous issue and picked this one up because writer Kyle Higgins really knocked a recent interview on Word Balloon with John Suintres out of the park and got me interested in the Nightwing aspect of the Death of the Family storyline. This issue was a good follow-up to Batman #15 which featured a meeting of the Gotham-based Bat Family and I enjoyed seeing Dick Grayson take off on his own to deal with the Joker's master plan. So while I'm not completely familiar with the longer storyline, I have to say this was a good, enjoyable comic book. I've always liked Nightwing and found the Joker as written by Higgins to be just as equal in evil and diabolical malice as that of Scott Snyder. This issue was also a nice break from Greg Capullo's art which seems to be wearing on me in recent issues with Eddy Barrow doing a great job here capturing the menace of the Joker awesomely. The below image was especially creepy. I think I'll come back to this issue next month and maybe go looking for back-issues to get a larger sense of the Nightwing story. 3.5/5 STARS 
Barrow's art was really enjoyable this issue of Nightwing #15

Marvel's Avengers #2 (February 2013) Written by Jonathan Hickman, art by Jerome Opena, colour art by Dean White with Justin Ponsor & Morry Hollowell. Letters by VC's Cory Petit. Edited by Tom Brevoort with Lauren Sankovitch. PRICE $3.99
In the two Avengers comics we've seen thus far from Marvel NOW!, there really hasn't been much to write home about. This comic, like its cousin book Thor: God of Thunder, is high-concept story-telling and involves some of the common evolutionary and extraterrestrial based tropes we often see in sci-fi and comics. Unfortunately (and unlike Thor) this book has taken a little longer to get off the ground. Indeed, the second issue was largely a story of the second group of Avengers assembling to go and rescue the first who are in trouble off-world. I enjoyed it on the whole and the introduction to the four principal baddies and the origins of their creators, The Builders, was especially good. I also know that this is a Jonathan Hickman book so I'm probably totally wrong about not thinking it's totally amazing and should probably re-read it in a couple days to discover what I've missed. But until then it gets a promising yet mediocre 3/5 STARS.
The group is still assembling in Avengers #2

DC's JSA Liberty Files: The Whistling Skull #1 (February 2013) Written by B. Clay Moore with art by Tony Moore. Colours by Dave McCaig, letters by Wes Abbot & edited by Ben Abernathy. PRICE $2.99
Easily one of the best comic books of the month, The Whistling Skull #1 is the first issue of a mini-series that creators B. Clay Moore and Tony Harris hope will eventually be turned into an ongoing run with forty odd issues. Set (sort of) in the DC Universe, the Whistling Skull is a Justice Society of America World War II story centred around a British non-Crown affiliated protagonist who fights the Nazi's. In parts it is very funny and entertaining, while in others it is downright grim and gory. Tony Harris' art at the beginning was a little tough to get used to, but the book never-the-less grew on me and by the end I was really enjoying this fusion of fun and intrigue. Come to think of it, this is what a comic book should be so I'm going to give it a high grade and say I'm already looking forward to the second issue. 4.5/5 STARS

Tony Harris' art takes some getting used to, but eventually grows on you.

Sunday, November 25, 2012

WGTB Reviews Journey Into Mystery #646

My first encounter with Kathryn Immonen’s writing came with Heralds, the five-part miniseries Marvel released in August 2010. What I gathered from this mini is that Immonen is both a quality writer and very good at writing strong female characters. Because of this, when it was announced she would be taking over a re-focused Journey into Mystery with the Lady Sif in the lead role my attention was grabbed. 
 
Marvel's Journey Into Mystery #646 (January 2013) Written by Kathryn Immonen with art by Valerio Schiti, colour art by Jordie Bellaire, letters & production by VC's Clayton Cowles, cover art by Jeff Dekal. Edited by Lauren Sankovitch. PRICE: $2.99
Immediately upon arriving at the shop on Wednesday, my local proprietor recommended the book to both me and others in the store. I was intent upon reading it already, but when I did, I came across a story that starts with Sif helping out her fellow Asgardian civilians before moving on to a quest to find the skills and talismans that it takes to be a great warrior. There was a little violence too. 

Sif seeks to learn in Journey Into Mystery #646 (January 2013)
There is a vastness and energy to the writing that gives this comic a real sense of impending adventure and it should play well as Journey progresses. The book was also loaded interesting and funny in-jokes (with great one on the opening splash) and the subtle reference to my favourite writer, J.R.R. Tolkien, further made the book endearing to me. This tells me that careful attention has been taken to crafting this book and it's a good thing to see.  

Can you spot the Tolkien reference?
With regard to the art, frankly, I'd never seen any of Italian Valerio Schiti's work before this book, but so far I think it's fairly good. With a welcoming blend of realism and fantasy, it captures the essence of this book very well and because of that makes it a fun read. Because of that, this abridged and quick review gives Journey into Mystery #646 4/5 STARS. 

Sunday, November 18, 2012

WGTB Reviews Fantastic Four #1

At Fan Expo Canada this summer, Axel Alonso told us in a panel discussion that Marvel NOW! was going to be an opportunity for the new writers to make a 'hostile takeover' of their rebooted books and really make them their own. What exactly the editor-in-chief meant by this, we probably won't know until their respective sixth issues, but Fantastic Four #1 in twenty-two pages gave us a pretty good idea of what this meant to Matt Fraction: he's taking this book out of time and out of space!
Marvel's Fantastic Four #1 (January 2013) Written by Matt Fraction with pencils by Mark Bagley, inks by Mark Farmer, colours by Paul Mounts, letters by VC's Clayton Cowles.  Edited by Tom Brevoort & Lauren Sankovitch. Price: $2.99 

(Spoilers Below)
With art by Mark Bagley and Mark Farmer, this first issue of the still self-proclaimed "World's Greatest Comic Magazine!" begins with a quick back and forth through time, which is too complicated to explain here. It eventually settles, however, on the Baxter building complete with the members the extended Richards gang acquired during Jonathan Hickman's run. From there we move to Johnny Storm on a (hilarious) date in the Negative Zone, Ben Grimm in trouble on the Internet and Sue surveying her 'circus'. The issue then resolves itself with Reed suggesting the group head into space and time on board the 'greatest classroom ever concieved', all the while keeping secret the real goal of his voyage, which is to find a cure for the team's decaying powers.  
Johnny Storm takes his date to the Negative Zone from Marvel's Fantastic Four #1.
As happened in All-New X-Men #1, this book will play fast and loose with the space-time continuum and you get the sense from the get-go that it's going to focus on high space adventure. Frankly, it's great to see Fraction continue with the idea of the Fantastic Four being as much scientists and educators as super-heroes, and I'm already confident that it's going to have some great writing. Character wise, I was a little perturbed that Mr. Fantastic kept something from his wife, but if this turns out to be as important of a plot point as I think, then it will turn into some interesting drama and all will be forgiven.

Bagley's art captures the scientific aspect of Fantastic Four #1 well. Some of the faces, not so much.
Johnny Storm's date with a celebrity at the beginning was funny enough to give me a laugh out loud moment at work (I've felt the same way vis-a-vis a girlfriend and her mother), and was very true to character. Likewise was Sue Richards when she surveyed her domain with the love, wonder and protective energy we've come to expect from this stalwart Marvel character. 

Sue Richards surveys her 'circus' and Ben Grimm tries to stop something from going viral in Fantastic Four #1
Mark Bagley and Mark Farmer's art was good. I happened to notice that in some cases the female characters bear a striking resemblance to each other, but all in all the artwork seemed to capture the fantastical nature of the comic well and should work with the 'big idea' space themes we've come to expect from the Fantastic Four. Truth be told, I'm a F4 fan through and through and will always give it the benefit of the doubt. Happily, this issue gives me no reason not too once more: it's a good start and will give us the solid cosmic-themed family drama we've come to expect from one of Marvel's greatest books. 4/5 STARS

Friday, November 16, 2012

WGTB Reviews All New X-Men #1

Marvel NOW! continued this week with All-New X-Men #1, Mighty Thor #1 and Fantastic Four #1 arriving on the shelves of our local comic shops. Because this is a big week for first issues from Marvel, I'm going to try to write more than one review. I'll begin with a book I have particularly been looking forward to: All-New X-Men #1, a comic that brings the original five X-Men from the past and drops them into the present day. 

Marvel's All New X-Men #1 (January 2013) Written by Brian Michael Bendis with pencils by Stuart Immonen, inks by Wade Von Grawbadger, colours by Marte Gracia & letters by VC's Cory Petit. Edited by Nick Lowe $3.99

(Spoilers Below) 





Honestly, when I first heard Marvel was doing this, I was skeptical as it almost sounded a little too ‘comic-booky’. But the more I thought about it, the more I liked the premise. Having just witnessed the massive fall from grace that Scott Summers experienced during Avengers vs X-Men, I got thinking how interesting it would be for a younger Cyclops to see what he's become. Of course, with Jean Grey having been gone for years now, I also thought it'd be interesting seeing how those characters who've particularly missed her react to a younger Jean, especially with Brian Michael Bendis writing the dialogue.  

All-New X-Men #1 starts with Hank McCoy in pain as he's about to experience his third mutation. We don't see this, as the story quickly moves from the Gold Coast of Australia to Ann Arbor, Michigan where we see mutants appearing out of the blue and Cyclops, Magneto and Emma Frost assisting their new 'brothers and sisters' handle the authorities who are trying to arrest them. This hostility is noticed by the X-Men at the Jean Grey School and we then move to a debate between its leaders who are trying to resolve how to respond to the hostility of their erstwhile leader. We don't see a resolution to the debate, because before this is resolved, we're sent to a flashback of the original X-Men where Beast arrives to talk his colleagues and ask a younger Cyclops to go into the future and talk some sense to the man he has become.
Beast in All-New X-Men #1 (January 2012)
While I typically start my reviews with my assessment of the writing, in his particular case I'd like to start with the artwork. I really enjoyed Stuart Immonen’s pencils and certainly count him as one of my favourite artists in comics right now. The younger X-Men, while having a somewhat retro look, do not look dated or tied to any particular era and this makes their look work. Jean Grey's hair, for example, looks like it could be from either the 1960s Batman show or an early 90s episode of Friends. The lines are smooth, the faces expressive and interesting, and the action sequences enjoyable. Immonen rendition of Beast also has a cool 'early 90s' Jim Lee's X-Men #1 look, which ties the 2012 characters to that important era magnificently.  

Which takes us to Bendis' story, which was good but not great. Again, as a first issue there wasn't too much to really get worked up about. But my sense is that this story could have used a little more packed into it, especially given that it was $3.99. Frankly, it was a 'Scott's at it again' comic which is fine, but I was starting to look forward to moving on from this past summer. Don't get me wrong: there were good parts and the exchange between McCoy and the younger Cyclops was especially well written and captured their personalities very well. I just felt a little short-changed because I didn't get to see the young X-Men move into the future by the end of the story. That would have made a great concluding splash for Immonen and really get us readers pumped for the second issue. 
The younger X-Men argue about their role in the world in All-New X-Men #1 (January 2012)
So All-New X-Men #1 was a decent enough start to what will obviously be a flagship series for the X-books. There's certainly places for this comic to go, and as I said earlier, it will be great seeing the older X-characters interact with the new. Stuart Immonen's art was great, but on the whole the story could have used a little more substance to it. Because of that it only gets  3.5/5 STARS.

Sunday, November 11, 2012

WGTB Reviews Iron Man #1

Marvel NOW! rolls on with Iron Man #1 hitting the shelves this past Wednesday. To begin, I should say I've never been a big Iron Man reader. I like the character but have never seemed to pick up his books. I know it's shameful, especially given the cinematic success Marvel/Disney has had centreing their universe (largely) around Robert Downey Jr. playing the role.  But for some reason Tony Stark is just someone in Marvel that has never caught my eye in the comic book store. I tell you this because my review may seem a little light in content and a detailed understanding of Iron Man's rich history in the medium. I'm also telling you because I'm using this first issue of Marvel NOW!'s Iron Man as an opportunity to get a fresh start on Tony Stark and frankly see this as a reason why these relaunches and reboots are a good thing for ignorants like me. On with the review.
Marvel NOW!'s Iron Man #1 (January 2013) Story by Kieron Gillen, pencils by Greg Land, inks by Jay Leisten, colours by Guru eFX and letters by VC's Joe Caramagna
$3.99

(Spoilers Below)
Having enjoyed Kieron Gillen recent runs on X-Men and Journey Into Mystery, I knew I was going to like this book to some degree. Gillen is a very skilled writer and has a knack for taking long established characters and making them his own. My initial thoughts were that tonally, Tony Stark was very similar to his cinematic counterpart and this was helpful I immediately liked him and knew this was a fellow I could follow regularly. The story begins in a posh New York bar with Tony working his magic with a beautiful woman. After he takes the party home and is about to seal the deal, he gets an urgent and distressing call from Maya Hansen who says that the 'Extremis is loose' and she's already 'probably dead'. We then fast forward to see a bad infomercial type of television program where Extremis' are being sold to regular folks. Iron Man subsequently crashes the party and learns there are four models loose on the world.

Extremis models and Iron Man from Iron Man #1 (January 2013)
I enjoyed the book and it wasn't without some solid humour. Probably the best line was when Tony went undercover at the Extremis sale by simply shaving off 'the world's most famous mustache'. Very Clark Kent. I'm not sure if the four Extremis villains will be long-term antagonists for the book -- this first arch is five books and that would match quite nicely with there being four out there. But it would be cool with a model popping up every now and then and this could lead to some long-term problems for Iron Man. The story also has a significant international dimension and it would will be neat seeing Gillen taking Tony to different locales around the world. I loved what he did with Sinister and London in Uncanny X-Men  
Iron Man armour in Iron Man #1 (Janurary 2013)
Unfortunately, while I enjoyed the early stages of Gillen's work on this book, I can't say the same for the art. In places Greg Land's work was very good: the below shot of Iron Man hovering over the cityscape is an example of the awesomeness that is Iron Man. But by and large his human depictions didn't have any stand-out qualities to them and while it doesn't look bad, there really isn't anything to grab the readers and make us say 'Wow!'   
Iron Man hovers over the city in Iron Man #1 (January 2013)
That said, it was a reasonably good comic book and because it has a very 'one-shot' feel to it, I think it's a great start for any new or lapsed Iron Man fan. I'm certainly going to find some Iron Man TPBs and get caught up on him, and will probably keep up with this particular comic for the next little while.  3.5/5 STARS