Showing posts with label X-Men. Show all posts
Showing posts with label X-Men. Show all posts

Wednesday, July 1, 2015

Happy Canada Day!

We're happy to be back at the blogging game and have a number of feature articles to post in the next little while. In the meanwhile, we wish all of our Canadian readers a very happy Canada Day. Thank you for reading.

Image from Marvel's Uncanny X-Men #120 (April 1979).

Tuesday, June 30, 2015

Hiatus Over!

Just like Magneto, Whatever Gods There Be always bounces back! We'll start posting again shortly, but in the meanwhile, please enjoy this image of Magneto from X-Men #2 (November 1991). You may recall, this is the follow-up issue of the first adjective-less X-title that sold over seven million copies.

Image from Marvel's X-Men #2 (November 1991) co-created by Chris Claremont & Jim Lee, inking by Scott Williams, colours by Joe Rosa and Letters by Tom Orzechowski. 

Saturday, September 14, 2013

Alpha Flight, X-Men and Secton 16 of the Criminal Code of Canada

I was reading the Uncanny X-Men: Days of Future Past trade paperback by Chris Claremont and John Byrne recently. Alpha Flight fans may remember that the arch immediately prior to Days of Future Past (and featured in its trade) is an Wendigo-focused story that happens in northern Canada and has the X-Men and Alpha Flight working together, something that had been a rarity up until that point. One of the later panels of Uncanny X-Men #141 particularly caught my attention. Have a look: 

Wendigo reverts to Georges Baptiste and is promply arrested in Uncanny X-Men #140 (December 1980).
Later, Guardian explains what will happen to Mr. Baptiste after his arrest. Also from Uncanny X-Men #140 (December 1980).
Alpha Flight has always been somewhat of an anomaly in comics because its an early state-sponsored superhero group. Of course, we saw groups like this in Golden Age WWII comics; the aftermath of Marvel's Civil War event in late 2000s; and even the U.S. government employed Superman in Frank Miller’s Dark Knight Returns in 1986. But from their very beginnings Alpha Flight has always seemed to be working on behalf of the Canadian government in peacetime. Which is what brought these “super-mounties” into contact with the X-Men and Wendigo in the first place. 

But what exactly would happen “under Canadian law” in this instance? Could Mr. Baptiste be held responsible for any crimes while possessed by the spirit of the Wendigo? And what defences could his lawyers use so the courts "aren't too hard on him" as Guardian suggests? In this short piece I'm going to examine Section 16 of the Criminal Code of Canada and how Mr. Baptiste might use the defence of a mental disorder to prove to the court that he should not be found criminally responsible for his actions.

Defences

Simply put, defences are the means by which defence lawyers prove to the “trier of fact” (which in most cases is a jury in Canada, but at times can also be a judge) that the Accused should not be found guilty of the alleged crime. Serious crimes in Canada must have both a Mens Rea (a guilty mind) and an Actus Reus (a corresponding guilty act). This is very important because it's against natural justice, the Canadian Charter of Rights and Freedoms and even common sense to seriously punish someone who didn't have a guilty mind when they committed a crime.

In Canada, our bedrock document relating to criminal law is the Criminal Code of Canada. This massive tome, while not containing all Canadian criminal law, contains the vast majority of it. First created in the 1892 in an effort to put into statute or "codify" the criminal law of Canada, the text has been amended over the years as Canada's changed. The Code not only contains offences that a person can be charged with, but also defences that can be used by the Accused to prove they are not guilty or criminally responsible. These range from age capacity (Section 13) to the defence of property (Section 40). For the purposes of today's discussion, the defence that applies to the events of Uncanny X-Men #139 and #140 is the mental disorder defence, which is Section 16.  

The "Super-Mounties" of the Marvel universe. Here's Alpha Flight from X-Men and Alpha Flight Vol. 2 #2 (June 1998)
Section 16

Taken directly from the Criminal Code, Canada's mental disorder (we do not say "Insanity") defence is:  

No person is criminally responsible for an act committed or an omission made while suffering from a mental disorder that rendered the person incapable of: 1) appreciating the nature and quality of the act or omission or; 2) of knowing that it was wrong.   

Like much of Canadian law, this section of the Criminal Code reaches back to English criminal law, specifically the judgment of M'Naghten's Case of 1843. In M'Naghten, the accused, a Mr. Daniel M'Naghten (pronounced, and sometimes spelled, McNaughtan or McNaughton), attempted to kill British Prime Minister Robert Peel. He was unsuccessful, but in the melee ended up killing one of the prime minister's aides. The resulting trial eventually found its way to the House of Lords, then the court of last resort in the United Kingdom, where the judgment reflected the longstanding idea that mental illness should not be met with retribution, but with mercy.   

Of course, the press and many elected officials vociferously denounced the verdict, something that happened when John Hinkley, Jr. successfully used the defence after his failed assassination attempt on Ronald Reagan almost 140 years later. Congress and a number of states took immediate action to ban the so-called "insanity defence" outright, but the M'Naghten defence still remains on the books in a number of US jurisdictions, just as it is used in Canada and in England and Wales.  

Guardian getting it done in X-Men and Alpha Flight Vol. 2 #2 (June 1998)
Which takes us to the case at hand. In defending Mr. Baptiste, I would say counsel's best move is a Section 16 defence, something Guardian even alludes to. Of course, because the curse of the Wendigo is enacted by the consumption of human flesh, we would have to prove that Mr. Baptiste did not consume the flesh with the intent of becoming a monster, but only out of a desire to survive in the wilderness. This is because we would not want to use the analogous logic of someone using "liquid courage" to commit a crime and then claiming intoxication as a defence. But if Mr. Baptiste didn't understand that his actions would lead to him becoming Wendigo and this subsequent magical mental illness made him loose control of his actions (thereby negating any Mens Rea) I think a Section 16 defence would work. 

It is important to understand that what constitutes a "mental disorder" is a question of law and therefore left to the judge to decide. So while cases involving Section 16 inevitably involve psychiatric experts testifying under oath (and there are provisions to prevent an endless "battle of the experts"), ultimately the judge will decide if there is a disease of the mind in play. She or he will then instruct the trier of fact (jury) to answer: 1) at the relevant time of the crime the accused was incapable of appreciating the nature and quality of his/her action, and if so; 2) he or she did not know that it was wrong. 

And as in all Canadian criminal law, there is case law to guide a Section 16 defence, such as what "appriciate" actually means or how Section 16 relates to specific illnesses, but that is beyond the scope of our piece today. Hopefully however you're leaving here with a better understanding of Canadian criminal law, The Criminal Code of Canada and the Claremont/Byrne run on Uncanny X-Men. Using Section 16 with regard to a magical possession seems a little bit of a stretch, but that's the fun of comics and may even have even been on Guardian's mind he says Mr. Baptiste's actions were those of an "insane man". Thanks again for stopping by and I hope you're having a great September.

Friday, November 16, 2012

WGTB Reviews All New X-Men #1

Marvel NOW! continued this week with All-New X-Men #1, Mighty Thor #1 and Fantastic Four #1 arriving on the shelves of our local comic shops. Because this is a big week for first issues from Marvel, I'm going to try to write more than one review. I'll begin with a book I have particularly been looking forward to: All-New X-Men #1, a comic that brings the original five X-Men from the past and drops them into the present day. 

Marvel's All New X-Men #1 (January 2013) Written by Brian Michael Bendis with pencils by Stuart Immonen, inks by Wade Von Grawbadger, colours by Marte Gracia & letters by VC's Cory Petit. Edited by Nick Lowe $3.99

(Spoilers Below) 





Honestly, when I first heard Marvel was doing this, I was skeptical as it almost sounded a little too ‘comic-booky’. But the more I thought about it, the more I liked the premise. Having just witnessed the massive fall from grace that Scott Summers experienced during Avengers vs X-Men, I got thinking how interesting it would be for a younger Cyclops to see what he's become. Of course, with Jean Grey having been gone for years now, I also thought it'd be interesting seeing how those characters who've particularly missed her react to a younger Jean, especially with Brian Michael Bendis writing the dialogue.  

All-New X-Men #1 starts with Hank McCoy in pain as he's about to experience his third mutation. We don't see this, as the story quickly moves from the Gold Coast of Australia to Ann Arbor, Michigan where we see mutants appearing out of the blue and Cyclops, Magneto and Emma Frost assisting their new 'brothers and sisters' handle the authorities who are trying to arrest them. This hostility is noticed by the X-Men at the Jean Grey School and we then move to a debate between its leaders who are trying to resolve how to respond to the hostility of their erstwhile leader. We don't see a resolution to the debate, because before this is resolved, we're sent to a flashback of the original X-Men where Beast arrives to talk his colleagues and ask a younger Cyclops to go into the future and talk some sense to the man he has become.
Beast in All-New X-Men #1 (January 2012)
While I typically start my reviews with my assessment of the writing, in his particular case I'd like to start with the artwork. I really enjoyed Stuart Immonen’s pencils and certainly count him as one of my favourite artists in comics right now. The younger X-Men, while having a somewhat retro look, do not look dated or tied to any particular era and this makes their look work. Jean Grey's hair, for example, looks like it could be from either the 1960s Batman show or an early 90s episode of Friends. The lines are smooth, the faces expressive and interesting, and the action sequences enjoyable. Immonen rendition of Beast also has a cool 'early 90s' Jim Lee's X-Men #1 look, which ties the 2012 characters to that important era magnificently.  

Which takes us to Bendis' story, which was good but not great. Again, as a first issue there wasn't too much to really get worked up about. But my sense is that this story could have used a little more packed into it, especially given that it was $3.99. Frankly, it was a 'Scott's at it again' comic which is fine, but I was starting to look forward to moving on from this past summer. Don't get me wrong: there were good parts and the exchange between McCoy and the younger Cyclops was especially well written and captured their personalities very well. I just felt a little short-changed because I didn't get to see the young X-Men move into the future by the end of the story. That would have made a great concluding splash for Immonen and really get us readers pumped for the second issue. 
The younger X-Men argue about their role in the world in All-New X-Men #1 (January 2012)
So All-New X-Men #1 was a decent enough start to what will obviously be a flagship series for the X-books. There's certainly places for this comic to go, and as I said earlier, it will be great seeing the older X-characters interact with the new. Stuart Immonen's art was great, but on the whole the story could have used a little more substance to it. Because of that it only gets  3.5/5 STARS.

Thursday, October 11, 2012

WGTB Reviews Uncanny Avengers #1

Well, it’s here.

Marvel's Uncanny Avengers #1 (December 2012) Written by Rick Remender with Art from John Cassaday, Cover Art by Laura Martin and Lettering by Chris Eliopoulos PRICE: $3.99
Uncanny Avengers #1, the first book of the Marvel NOW! relaunch was released this past Wednesday with much fanfare across the media spectrum. Being the first book of Marvel's belated answer to DC's New 52, it had a lot to live up to -- not just because the DC reboot has proved so successful -- but also because it's the inauguration of a new Marvel Universe created by this summer's event Avengers vs X-Men.  

Hope Summers as The Phoenix in Marvel's Avengers vs X-Men #12 (December 2012)
So with Charles Xavier dead, Hope Summers the Phoenix and mutants reappearing around the world, Captain America set out to start a new team of Avengers featuring superheroes from the previously conflicting groups. Honestly, I had really been looking forward to this book and what Marvel NOW! could do for the industry. DC’s New 52 did a lot to get me back into that company and while I understand the objections some critics have had about it, you can't argue with the facts: sales at DC are up and I hope the same happens for Marvel.

Marvel NOW! is a little less ambitious, but the creators on the media and convention circuit have been doing a good job pumping it up. Rick Remender has called Uncanny Avengers a return to the classic X-Men and 'Xavier's dream' which is something that totally appeals to the comics historian in me. The team itself further includes some pretty strong characters and I am particularly looking forward to seeing Wolverine work with Captain America as partners. 

Captain America speaks with Havok in Uncanny Avengers #1 (December 2012) 
So how did it do?
 
For the most part, I liked it and think this series has potential. Having liked but not loved Avengers vs X-Men, I wasn't sure how this would work out. But Rick Remender's talents as a writer were evident in this book, and it was nice to see one writer write opposed to five. It is a crisp script and carries on with the themes coming out of the summer event: the good-bye to Charles Xavier, the incarceration of Scott Summers and the rebirth of mutant-kind, with an emotional intensity worthy of the gravitas of these events. It also gives us a new (old) villain with a genetically-focused modus operandi who it appears will be a great adversary for both mutant and non-mutant superheroes alike. By the end of #1 we see who that villain is (and if you've been listening to the Marvel Next Big Thing you already know) and it will be great to see him re-emerge in the Marvel Universe. The team wasn't formed by the end of this issue, but you pretty much have an idea by the cover. Putting Havok in a 'reluctant leader' role will be interesting as will having Captain America work with the mutants. That said, it wasn't the best first issue comic I've ever read -- a conflict between two of the leading females on the team seemed a little contrived to create tension later on -- but all in all it was an enjoyable story and I'm looking forward to more.


John Cassaday's art was good (if a little too reserved) but the book's fantastic colour schemes gave it a real punch. It wasn't as avant garde as other books recently released (like Klaus Janson's Daredevil: End of Days #1 or Dexter Soy's in Captain Marvel) but it gets the job done. Captain America's armour seemed a little more scaly than normal but this minor distraction is hardly enough to derail what was generally a strong art/storytelling combination. And how cool does that brooding Thor look?!
Captain America and Thor in Uncanny Avengers #1 (December 2012) 
Whether Uncanny Avengers and Marvel NOW! is enough to put Marvel consistently ahead of their Distinguished Competition in the months ahead remains to be seen. But for now, the first new book of this initiative is good start and we all have something to look forward to. 4/5 STARS 

Sunday, September 16, 2012

WGTB reviews AvX #11

(Warning: Spoilers Throughout)

Wednesday was probably the worst day for spoilers I've ever experienced. I woke up, checked Facebook and there it was: news that Professor Xavier had died. This was revealed because the comic-related media I follow mentioned the New York Post story about the events of Avengers vs X-Men #11. Later, after buying the comic book at 5:30 pm and going to the gym, I saw on a 24-hour news station that: 'Professor X, long-time leader of comic's X-Men has been killed by his protege, Cyclops'. I'm not kidding. It's like it was following me around! Still, I thought I'd write a review about the eleventh issue of Marvel’s summer event anyway.
 Marvel's Avengers vs X-Men #11 (November 2012) Writing by Brian Michael Bendis, pencils by Olivier Coipel and inks by Mark Morales. $3.99
The story begins with the X-Men seeking refuge from the Avengers, having realised that siding with the Phoenix Five was a major error in judgment. Shortly afterwards, Cyclops took the last half of the Phoenix Force from Emma Frost and assumes all of that personality changing extra-terrestrial power. It then ends with a confrontation between Xavier and Cyclops and the result mentioned above. 
Magneto from Avengers vs. X-Men #11 (November 2012)
I’ve enjoyed this series and have read it as we're supposed to read summer events: like the big-budget 'popcorn' comic books they are. But at the same time this issue disappointed me because its content was too important for the lens I was supposed to view it through. What I mean is Xavier did not die in a way worthy of one of the most important and iconic comic book characters of all time. Sure, he was surrounded by members of the X-Men and Avengers (including a Carol Danvers dressed in the old Ms. Marvel costume), but there should have been something more to his parting than mere paternal angst and Phoenix-charged murder.
Cyclops assumes the remaining Phoenix Force from Emma Frost in Avengers vs X-Men #11 (November 2012)
Now we all know that comic book deaths are a regular occurrence. But there has been a few that have had true meaning. The first Captain Marvel died of cancer in Jim Starlin's The Death of Captain Marvel (1982) and his suffering gave the death true importance and gravitas. As was the death of Uncle Ben in Amazing Fantasy #15 (August 1962). While he was not a super-hero per se, the impact of Benjamin Parker dying completely altered Peter Parker's way of seeing the world and gave us Spider-Man. But in the case of AvX #11, I'm not sure Professor X's death will have that same meaning in the Marvel Universe. Marvel NOW! may prove me wrong, but #11 left me with a feeling that Xavier's death was a hollow marketing ploy.   
Professor X welcomes the X-Men to join the Avengers in Avengers vs X-Men #11 (November 2012)
Which brings me to a larger chronologically-based critique of AvX.  As said earlier, I've enjoyed this series on the whole. But at the same time feel it could have been done in less time than it has taken. The art has been great and I especially enjoyed Oliver Coipel's and Mark Morales' work in this most recent issue. But there just hasn't been enough story depth in this series to really leave me satisfied. Where was Hope Summers in #11 and why has the story shifted away from her? Why was the Hulk called in and not used? This series could easily have been cut down two or maybe four issues with more concise storytelling.
Cyclops with the full Phoenix power in Avengers vs X-Men #11 (November 2012)

If you've read this blog before you know that I don't usually give bad reviews. I'm not a hostile fanboy and never like slamming other people's work unless they really deserve it. Moreover, Brain Michael Bendis and the other Marvel architects working on this series are better comic book writers than I'll ever pretend to be. But this issue, while being okay, was not up to the standard I had hoped. The art was great, but the story was lacking and because of that I have to give it one of the lowest ratings I ever have. If you disagree, please leave a comment. Otherwise, thanks for reading. 
2.5/5 STARS     

Wednesday, August 29, 2012

FanExpo Canada 2012: Information & Photos

This past weekend was FanExpo Canada. Considered the third largest comic-con in North America, this year's show was chock-full of great guests and lots to see and buy. My personal highlights include snagging two legendary autographs that has previously eluded me: Stan Lee and Neil Adams. 
The Marvel: Avengers vs. X-Men panel from left to right: C.B. Cebulski, Steve Wacker, Nick Lowe, Axel Alonso & Arune Singh. 
Unfortunately, I only got to one day of the four day event, so I can't report on much. There were, however, a few nuggets of information I managed to gather from the two Marvel panels I attended. If you haven't seen them on CBR, etc, here they are. From the Marvel: Avengers vs. X-Men panel we learnt:

1) There's an important death at the end.

2) The Hulk will be showing up in the final issue of A v X.

3) Ed Brubaker is leaving Winter Solider to be replaced by relative newcomer Jason Latour. I’ll let you know what I think of his first issue.

4) Characters from Alpha Flight will be appearing in Wolverine and the X-Men #19.
The Marvel: A Pint o' CB panel with from left to right: Axel Alonso, Dan Slott, Steve Wacker, Nick Lowe & C.B. Cebulski
The second panel I attended -- Marvel: Pint o' CB didn’t just star its namesake con stalwart but also Axel Alonso, Dan Slott, Steve Wacker and Nick Lowe with Arune Singh moderating. This was a more free-flowing conversation and the Marvel team used much of the opportunity to talk-up this fall's Marvel Now. 
The Marvel team made clear that this was not a 'reboot' but a 'relaunch'.
Throughout the discussion it was made clear that Marvel Now will be, to quote Axel Alonso, ‘not a reboot but a relaunch’. Indeed, the Editor-in-Chief spoke frankly about the entire process and it sounds like creators have been given carte blanche to 'profoundly change' and make ‘hostile takovers’ of their new books. It sounds interesting and I'll be reviewing the new books as they come out.
Nick Lowe as game show host at the Marvel display.
So there you go: some quick notes on FanExpo. It was another good show and I'm already looking forward to next year. Hopefully, I'll be a little better at planning ahead and be able to get in more than one day of the show. Below are some random photos from the event for you to enjoy. Thanks for reading!

Space, Canada's sci-fi channel, had a huge presence at this year's FanExpo.
More of Space's display.
Non-comic fan favourites like as electronic games were also huge presence at the show too...
...as were promotions for upcoming films such as Peter Jackson's The Hobbit...
...and television's Game of Thrones.
DC Comics also had a serious presence...
...as did the Daleks.