Showing posts with label Avengers. Show all posts
Showing posts with label Avengers. Show all posts

Friday, March 28, 2014

The Avengers, Omega Flight & Westminster style Executive Government

While rereading Avengers Vol. 5 #10 recently I noticed (remembered!) how the story took the Avengers to Canada where we had an alien force take over Regina, the capital city of the province of Saskatchewan. Canada's Department H had reluctantly called in S.H.I.E.L.D. and the US-based Avengers for help when this little gem of dialogue appeared: 

Image from Marvel's Avengers Vol. 5 #10 (June 2013) Written by Jonathan Hickman, Pencils by Mike Deodato, Colours by Frank Martin, Letters by Cory Petit.

Image from Marvel's Avengers #10.
A military department with nuclear weapons that "his government" (and by this I presume the elected politicians) doesn't know about. Could this even happen in Canada? Could there be such a disconnect between a government department and the elected leadership that, as Logan suggests an "old school" government agency could have access to nukes that nobody knows about? And if so could this thing even be legal? This piece will examine this issue using the history of both the Canadian and British parliamentary systems as well as the current law that governs the Department of National Defence to explain how this in fact could not happen. Legal issues aside, this was an enjoyable story is not an indictment of the actual writing or art in any way. 

Canada is what can be called a Westminster democracy because it is modelled after the UK’s parliament located in Westminster, London. The British parliament has been a model for many democracies around the world, not just those 16 states that share Queen Elizabeth II as their head of state. Naturally, as these different states have evolved they have made subtle changes to better reflect the realities of their geographic and political realities, but in essence Westminster systems tend to remain quite similar. Examples of such changes include Australia, which while sharing the Queen has an elected upper chamber, whereas members of their British and Canadian equivalents, the House of Lords and Senate of Canada respectively, are appointed by the Queen on the advice of their prime minister.  Since 1982 Canada has also had an entrenched constitution with a Charter of Rights and Freedoms which is a legal document that while allowing for both the federal parliament in Ottawa and the provincial legislatures to pass laws, also serves as an entrenched check against these legislatures and their laws have been found to be unconstitutional and struck down by the courts. Westminister style states can also include republican countries such as Israel or India who have presidents yet operate in a similar fashion as their monarchical cousins and have prime ministers who make the political decisions and are elected members of parliament. 

The UK's MI: 13 (The MI stands for "Military Intelligence" and dates back to WWII) would follow a similar chain of command as Canada's Department H, as Canada's system of governance was largely modelled after the UK's. Image from Marvel's Revolutionary War: Alpha (March 2014) Written by Andy Lanning & Alan Cowsill, Art by Rich Elson, Colours by Antonio Fabela.
History

While the history of parliamentary governance reaches back further than the Norman invasion of England in 1066, it's here where we’ll begin our discussion. It was that pivotal year that the Normandy-based duke William conquered England and took the kingship of the realm. Not knowing the country as well as he might, the new king and his descendants set about inviting England’s landowners to join in the governance of the consolidated kingdom. Over time these aristocrats grew robust in the defence of their newly acquired rights and responsibilities and by the early 1200s were in rebellion against one of William's lesser decendents, John. So it was in 1215 that John was made to sign Magna Carta, which subjected him to the law and disallowed him from raising taxes or an army without their consent. From John onwards, certain favourites or competent individuals would assume positions of power and influence and the early stages of ministerial government developed.

But it was in the seventeenth century that things came to a fore. In 1603 James VI of Scotland became the King of England upon the death of his cousin Elizabeth I and this brought a different tone to the governance of England. James was influenced by continental rhetoric that envisioned a more centralized and monarch-centred ideal and soon set out to implement this as policy. This thinking became even more pronounced when James' son Charles assumed the English throne and would culminate when parliamentary and royalist forces went to war in the English Civil War (1642 to 1651). This war ultimately led to Charles’s execution, but when the republican experiment failed, Charles's son (Charles II) was invited to become King. When he died, his brother assumed the throne but being Catholic, was unacceptable to England’s largely Protestant aristocracy. So when James II finally became unpalatable for English nobles, they invited the Dutch Prince William of Orange (who was married to James’ daughter Mary) to become co-regent with his wife. But in order to become King, William was made to sign a contract of sorts – called the Bill of Rights of 1689 – containing a number of provisions of which the king had to adhere. These included a prohibition of cruel and unusual punishment, jury trials for criminal matters and other such things.

The marker denoting the site in Westminster Hall where Charles Stuart, King of England was sentenced to death. Photo by Blogger.

Westminster Hall. This is the oldest party of the Palace of Westminster. The above shown plaque is on the stairs. Photo by Blogger.
Giving the crown to William and Mary under such conditions represented a seismic shift in the constitutional status of England. By setting conditions, the nobles and the representative body of parliament ascended into an arrangement with the King that changed the legal landscape. Henceforth, it was the "King-In-Parliament" that had sovereign power in England and not only could the King not act unilaterally (as per Magna Carta), if a law was passed in parliament it was indisputably the law of the land and the only thing parliament could not do is pass a law that bound itself. The Crown's prerogative powers – which was the body of customary authority, privilege, and immunity, that was the sole prerogative of the sovereign and included defence, foreign affairs and keeping the peace – were largely maintained and would remain considerable until gradually chipped away by parliamentary statute. But the legal Rubicon had been crossed and parliament was now a sovereign body that could make laws as it decided. Mary died in 1693 and William in 1702 and eventually the crown passed to Anne, Mary’s sister. But when Anne died without an heir, the closest protestant candidate was George, Elector of Hanover, a German who could not speak English. Because of these linguistic issues by the end of George’s reign, much of the responsibilities for the governance of the realm were on the shoulders of a parliamentarian named Sir Robert Walpole and he is largely considered Britain’s (and therefore the Commonwealth’s) first Prime Minister. 

A century and a half later in 1867, when the three colonies of British North America came together to form Canada, its establishing act from the British parliament called the British North America Act stated in its preamble that the newly formed Canada was to be a federal union of "One Dominion under the Crown of the United Kingdom of Great Britain and Ireland, with a Constitution similar in Principle to that of the United Kingdom." 

Ministerial Government

Which brings us back to the question at hand: could a Canadian Prime Minister or Minister of Defence not know that the department which he or she ultimately controls has access nuclear weapons? Currently, the Prime Minister of Canada is selected by the Governor-General of Canada (the Queen's representative in Canada) to become PM. This is usually done after an election in which the party he or she leads wins the most seats in parliament. Once this happens, the Prime Minister-elect sets about deciding on who will join him or her to form the Canadian Ministry, which over time by constitutional convention (these are not laws but conventions that have evolved) has taken the prerogative powers of the Crown and become their sole exerciser. These are typically other Members of Parliament and are chosen not just for their competence but other politically calculated considerations which include but are not limited to province of origin, ethnicity, city or constituency.  

All of these Canadian government resources are ultimately under the control of a minister who must answer to the House of Commons. Image from Marvel's Avengers #10.
Once a minister is chosen, he or she is sworn into the Queen’s Privy Council for Canada. The Privy Council's active component are those individuals who are responsible for running or assisting with the operations of government departments such as the Ministry of Finance, Justice Canada or the Department of National Defence. Leaders of the Opposition are also sworn into the Privy Council so they can have access to secret information, but they do not head a government department and actively oppose the government in the House of Commons where each minister is held to account. Because of this, it is ultimately the minister who is responsible for its bureaucrats and employees. So if Department H were to acquire nuclear weapons without the Minister of National Defence knowing, this would be counter the National Defence Act, 1985 which reads in Section 4:
 
The Minister holds office during pleasure, has the management and direction of the Canadian Forces and of all matters relating to national defence and is responsible for
  • (a) the construction and maintenance of all defence establishments and works for the defence of Canada; and
  • (b) research relating to the defence of Canada and to the development of and improvements in materiel.

Remember this law was passed by the heir of the sovereign parliament of 1689 and is very clear: the Minister of Defence is responsible for all matters relating to national defence. So even if Department H was created by a separate statute by the Canadian parliament (to my knowledge Marvel has never stated which statute created Department H) it would most likely be governed by similar language as the NDA and would ultimately have a minister responsible for it. Because of this, Logan's "old school" friends with their secret arsenal are clearly operating outside of the law and counter to centuries of both historical negotiation and constitutional and legal development.

Thursday, November 28, 2013

Happy Thanksgiving...

...to all of my American readers. May your holiday be filled with the very best of friends, family and FOOTBALL! I actually got into the NFL (I've always watched the Canadian game) when I lived in the United Kingdom and American Thanksgiving was one of the few days when we could watch the NFL at a normal hour! 

Cover of Marvel's Fantastic Four Vol. 1 #564 (April 2009)
We Canadians are fantastically lucky to have the Great Republic to our immediate south. We've been through a great many things together -- and while we don't always agree on everything -- Canadians could not ask for a better neighbour. Safe travels to anyone away from home this Thanksgiving and have a wonderful long-weekend. 

Guardian and Captain America from Marvel's Alpha Flight Vol. 1 #39 (October 1986)

Wednesday, December 26, 2012

WGTB Reviews Four Comics

Merry Christmas! Well, Happy Boxing Day as we call the day after Christmas here in Canada. Today was a day off for me and allowed me to take a break from all the holiday fun and write four quick reviews of comics I've read recently. As December 26th comics (Justice League and Amazing Spider-Man) haven't been read yet, the books written about today go back to the past two weeks. I hope you enjoy and are having a great holiday season.  

Marvel's Thor: God of Thunder #3 (February 2013) Written by Jason Aaron, art and cover by Esad Ribic, colour art by Ive Svorcina & lettering by VC's Joe Sabino. Edited by Lauren Sankovitch. PRICE $3.99
Jason Aaron, Esad Ribic and Ive Svorcina continue to pack a punch with the third issue of Thor: God of Thunder. I have really been enjoying this book since the Marvel NOW! relaunch of this Thor title and issue #3 gives me no reason to stop looking forward to the next. I'm finding it to be a cross between Neil Gaiman's novel American Gods and the 90's sci-fi hit Babylon 5 in good old-fashioned comic book form. This issue, the third of the God Butcher storyline, has Thor deep in space at an amazing place called Omnipotence City and then in the equally cool ninth-century Russia, both of which are amazingly drawn. The action seems to have cooled a bit from the previous issue but that's okay because in #3 we get a somewhat more cerebral caper-type story. This comic goes deeper into the back story of the ancient foe Thor is dealing with and we even see the God of Thunder fearful of what the future could hold. A lot happens in this issue but it is easier to follow now that I'm used to the threefold time-jump aspect of it. With regard to art, Ribic's work really matches Aaron's story and is doing it for me. This is comic book high-fantasy at its best. 4.5/5 STARS

Comic book high-fantasy at its best from Thor: God of Thunder #3 

DC's Nightwing #15 (February 2013) Written by Kyle Higgins, pencils by Eddy Barrows, inks by Eber Ferreira, colours by Rod Reis & letters by Carlo M. Mangual. Edited by Brian Cunningham. PRICE: $2.99
My next quick review is Nightwing #15 by Kyle Higgins, Eddy Barrows and Eber Ferreira. I hadn't read the previous issue and picked this one up because writer Kyle Higgins really knocked a recent interview on Word Balloon with John Suintres out of the park and got me interested in the Nightwing aspect of the Death of the Family storyline. This issue was a good follow-up to Batman #15 which featured a meeting of the Gotham-based Bat Family and I enjoyed seeing Dick Grayson take off on his own to deal with the Joker's master plan. So while I'm not completely familiar with the longer storyline, I have to say this was a good, enjoyable comic book. I've always liked Nightwing and found the Joker as written by Higgins to be just as equal in evil and diabolical malice as that of Scott Snyder. This issue was also a nice break from Greg Capullo's art which seems to be wearing on me in recent issues with Eddy Barrow doing a great job here capturing the menace of the Joker awesomely. The below image was especially creepy. I think I'll come back to this issue next month and maybe go looking for back-issues to get a larger sense of the Nightwing story. 3.5/5 STARS 
Barrow's art was really enjoyable this issue of Nightwing #15

Marvel's Avengers #2 (February 2013) Written by Jonathan Hickman, art by Jerome Opena, colour art by Dean White with Justin Ponsor & Morry Hollowell. Letters by VC's Cory Petit. Edited by Tom Brevoort with Lauren Sankovitch. PRICE $3.99
In the two Avengers comics we've seen thus far from Marvel NOW!, there really hasn't been much to write home about. This comic, like its cousin book Thor: God of Thunder, is high-concept story-telling and involves some of the common evolutionary and extraterrestrial based tropes we often see in sci-fi and comics. Unfortunately (and unlike Thor) this book has taken a little longer to get off the ground. Indeed, the second issue was largely a story of the second group of Avengers assembling to go and rescue the first who are in trouble off-world. I enjoyed it on the whole and the introduction to the four principal baddies and the origins of their creators, The Builders, was especially good. I also know that this is a Jonathan Hickman book so I'm probably totally wrong about not thinking it's totally amazing and should probably re-read it in a couple days to discover what I've missed. But until then it gets a promising yet mediocre 3/5 STARS.
The group is still assembling in Avengers #2

DC's JSA Liberty Files: The Whistling Skull #1 (February 2013) Written by B. Clay Moore with art by Tony Moore. Colours by Dave McCaig, letters by Wes Abbot & edited by Ben Abernathy. PRICE $2.99
Easily one of the best comic books of the month, The Whistling Skull #1 is the first issue of a mini-series that creators B. Clay Moore and Tony Harris hope will eventually be turned into an ongoing run with forty odd issues. Set (sort of) in the DC Universe, the Whistling Skull is a Justice Society of America World War II story centred around a British non-Crown affiliated protagonist who fights the Nazi's. In parts it is very funny and entertaining, while in others it is downright grim and gory. Tony Harris' art at the beginning was a little tough to get used to, but the book never-the-less grew on me and by the end I was really enjoying this fusion of fun and intrigue. Come to think of it, this is what a comic book should be so I'm going to give it a high grade and say I'm already looking forward to the second issue. 4.5/5 STARS

Tony Harris' art takes some getting used to, but eventually grows on you.

Sunday, November 11, 2012

WGTB Reviews Iron Man #1

Marvel NOW! rolls on with Iron Man #1 hitting the shelves this past Wednesday. To begin, I should say I've never been a big Iron Man reader. I like the character but have never seemed to pick up his books. I know it's shameful, especially given the cinematic success Marvel/Disney has had centreing their universe (largely) around Robert Downey Jr. playing the role.  But for some reason Tony Stark is just someone in Marvel that has never caught my eye in the comic book store. I tell you this because my review may seem a little light in content and a detailed understanding of Iron Man's rich history in the medium. I'm also telling you because I'm using this first issue of Marvel NOW!'s Iron Man as an opportunity to get a fresh start on Tony Stark and frankly see this as a reason why these relaunches and reboots are a good thing for ignorants like me. On with the review.
Marvel NOW!'s Iron Man #1 (January 2013) Story by Kieron Gillen, pencils by Greg Land, inks by Jay Leisten, colours by Guru eFX and letters by VC's Joe Caramagna
$3.99

(Spoilers Below)
Having enjoyed Kieron Gillen recent runs on X-Men and Journey Into Mystery, I knew I was going to like this book to some degree. Gillen is a very skilled writer and has a knack for taking long established characters and making them his own. My initial thoughts were that tonally, Tony Stark was very similar to his cinematic counterpart and this was helpful:  I immediately liked him and knew this was a fellow I could follow regularly. The story begins in a posh New York bar with Tony working his magic with a beautiful woman. After he takes the party home and is about to seal the deal, he gets an urgent and distressing call from Maya Hansen who says that the 'Extremis is loose' and she's already 'probably dead'. We then fast forward to see a bad infomercial type of television program where Extremis' are being sold to regular folks. Iron Man subsequently crashes the party and learns there are four models loose on the world.

Extremis models and Iron Man from Iron Man #1 (January 2013)
I enjoyed the book and it wasn't without some solid humour. Probably the best line was when Tony went undercover at the Extremis sale by simply shaving off 'the world's most famous mustache'. Very Clark Kent. I'm not sure if the four Extremis villains will be long-term antagonists for the book -- this first arch is five books and that would match quite nicely with there being four out there. But it would be cool with a model popping up every now and then and this could lead to some long-term problems for Iron Man. The story also has a significant international dimension and it would will be neat seeing Gillen taking Tony to different locales around the world. I loved what he did with Sinister and London in Uncanny X-Men.   
Iron Man armour in Iron Man #1 (Janurary 2013)
Unfortunately, while I enjoyed the early stages of Gillen's work on this book, I can't say the same for the art. In places Greg Land's work was very good: the below shot of Iron Man hovering over the cityscape is an example of the awesomeness that is Iron Man. But by and large his human depictions didn't have any stand-out qualities to them and while it doesn't look bad, there really isn't anything to grab the readers and make us say 'Wow!'   
Iron Man hovers over the city in Iron Man #1 (January 2013)
That said, it was a reasonably good comic book and because it has a very 'one-shot' feel to it, I think it's a great start for any new or lapsed Iron Man fan. I'm certainly going to find some Iron Man TPBs and get caught up on him, and will probably keep up with this particular comic for the next little while.  3.5/5 STARS 

Thursday, October 11, 2012

WGTB Reviews Uncanny Avengers #1

Well, it’s here.

Marvel's Uncanny Avengers #1 (December 2012) Written by Rick Remender with Art from John Cassaday, Cover Art by Laura Martin and Lettering by Chris Eliopoulos PRICE: $3.99
Uncanny Avengers #1, the first book of the Marvel NOW! relaunch was released this past Wednesday with much fanfare across the media spectrum. Being the first book of Marvel's belated answer to DC's New 52, it had a lot to live up to -- not just because the DC reboot has proved so successful -- but also because it's the inauguration of a new Marvel Universe created by this summer's event Avengers vs X-Men.  

Hope Summers as The Phoenix in Marvel's Avengers vs X-Men #12 (December 2012)
So with Charles Xavier dead, Hope Summers the Phoenix and mutants reappearing around the world, Captain America set out to start a new team of Avengers featuring superheroes from the previously conflicting groups. Honestly, I had really been looking forward to this book and what Marvel NOW! could do for the industry. DC’s New 52 did a lot to get me back into that company and while I understand the objections some critics have had about it, you can't argue with the facts: sales at DC are up and I hope the same happens for Marvel.

Marvel NOW! is a little less ambitious, but the creators on the media and convention circuit have been doing a good job pumping it up. Rick Remender has called Uncanny Avengers a return to the classic X-Men and 'Xavier's dream' which is something that totally appeals to the comics historian in me. The team itself further includes some pretty strong characters and I am particularly looking forward to seeing Wolverine work with Captain America as partners. 

Captain America speaks with Havok in Uncanny Avengers #1 (December 2012) 
So how did it do?
 
For the most part, I liked it and think this series has potential. Having liked but not loved Avengers vs X-Men, I wasn't sure how this would work out. But Rick Remender's talents as a writer were evident in this book, and it was nice to see one writer write opposed to five. It is a crisp script and carries on with the themes coming out of the summer event: the good-bye to Charles Xavier, the incarceration of Scott Summers and the rebirth of mutant-kind, with an emotional intensity worthy of the gravitas of these events. It also gives us a new (old) villain with a genetically-focused modus operandi who it appears will be a great adversary for both mutant and non-mutant superheroes alike. By the end of #1 we see who that villain is (and if you've been listening to the Marvel Next Big Thing you already know) and it will be great to see him re-emerge in the Marvel Universe. The team wasn't formed by the end of this issue, but you pretty much have an idea by the cover. Putting Havok in a 'reluctant leader' role will be interesting as will having Captain America work with the mutants. That said, it wasn't the best first issue comic I've ever read -- a conflict between two of the leading females on the team seemed a little contrived to create tension later on -- but all in all it was an enjoyable story and I'm looking forward to more.


John Cassaday's art was good (if a little too reserved) but the book's fantastic colour schemes gave it a real punch. It wasn't as avant garde as other books recently released (like Klaus Janson's Daredevil: End of Days #1 or Dexter Soy's in Captain Marvel) but it gets the job done. Captain America's armour seemed a little more scaly than normal but this minor distraction is hardly enough to derail what was generally a strong art/storytelling combination. And how cool does that brooding Thor look?!
Captain America and Thor in Uncanny Avengers #1 (December 2012) 
Whether Uncanny Avengers and Marvel NOW! is enough to put Marvel consistently ahead of their Distinguished Competition in the months ahead remains to be seen. But for now, the first new book of this initiative is good start and we all have something to look forward to. 4/5 STARS 

Sunday, September 16, 2012

WGTB reviews AvX #11

(Warning: Spoilers Throughout)

Wednesday was probably the worst day for spoilers I've ever experienced. I woke up, checked Facebook and there it was: news that Professor Xavier had died. This was revealed because the comic-related media I follow mentioned the New York Post story about the events of Avengers vs X-Men #11. Later, after buying the comic book at 5:30 pm and going to the gym, I saw on a 24-hour news station that: 'Professor X, long-time leader of comic's X-Men has been killed by his protege, Cyclops'. I'm not kidding. It's like it was following me around! Still, I thought I'd write a review about the eleventh issue of Marvel’s summer event anyway.
 Marvel's Avengers vs X-Men #11 (November 2012) Writing by Brian Michael Bendis, pencils by Olivier Coipel and inks by Mark Morales. $3.99
The story begins with the X-Men seeking refuge from the Avengers, having realised that siding with the Phoenix Five was a major error in judgment. Shortly afterwards, Cyclops took the last half of the Phoenix Force from Emma Frost and assumes all of that personality changing extra-terrestrial power. It then ends with a confrontation between Xavier and Cyclops and the result mentioned above. 
Magneto from Avengers vs. X-Men #11 (November 2012)
I’ve enjoyed this series and have read it as we're supposed to read summer events: like the big-budget 'popcorn' comic books they are. But at the same time this issue disappointed me because its content was too important for the lens I was supposed to view it through. What I mean is Xavier did not die in a way worthy of one of the most important and iconic comic book characters of all time. Sure, he was surrounded by members of the X-Men and Avengers (including a Carol Danvers dressed in the old Ms. Marvel costume), but there should have been something more to his parting than mere paternal angst and Phoenix-charged murder.
Cyclops assumes the remaining Phoenix Force from Emma Frost in Avengers vs X-Men #11 (November 2012)
Now we all know that comic book deaths are a regular occurrence. But there has been a few that have had true meaning. The first Captain Marvel died of cancer in Jim Starlin's The Death of Captain Marvel (1982) and his suffering gave the death true importance and gravitas. As was the death of Uncle Ben in Amazing Fantasy #15 (August 1962). While he was not a super-hero per se, the impact of Benjamin Parker dying completely altered Peter Parker's way of seeing the world and gave us Spider-Man. But in the case of AvX #11, I'm not sure Professor X's death will have that same meaning in the Marvel Universe. Marvel NOW! may prove me wrong, but #11 left me with a feeling that Xavier's death was a hollow marketing ploy.   
Professor X welcomes the X-Men to join the Avengers in Avengers vs X-Men #11 (November 2012)
Which brings me to a larger chronologically-based critique of AvX.  As said earlier, I've enjoyed this series on the whole. But at the same time feel it could have been done in less time than it has taken. The art has been great and I especially enjoyed Oliver Coipel's and Mark Morales' work in this most recent issue. But there just hasn't been enough story depth in this series to really leave me satisfied. Where was Hope Summers in #11 and why has the story shifted away from her? Why was the Hulk called in and not used? This series could easily have been cut down two or maybe four issues with more concise storytelling.
Cyclops with the full Phoenix power in Avengers vs X-Men #11 (November 2012)

If you've read this blog before you know that I don't usually give bad reviews. I'm not a hostile fanboy and never like slamming other people's work unless they really deserve it. Moreover, Brain Michael Bendis and the other Marvel architects working on this series are better comic book writers than I'll ever pretend to be. But this issue, while being okay, was not up to the standard I had hoped. The art was great, but the story was lacking and because of that I have to give it one of the lowest ratings I ever have. If you disagree, please leave a comment. Otherwise, thanks for reading. 
2.5/5 STARS     

Wednesday, August 29, 2012

FanExpo Canada 2012: Information & Photos

This past weekend was FanExpo Canada. Considered the third largest comic-con in North America, this year's show was chock-full of great guests and lots to see and buy. My personal highlights include snagging two legendary autographs that has previously eluded me: Stan Lee and Neil Adams. 
The Marvel: Avengers vs. X-Men panel from left to right: C.B. Cebulski, Steve Wacker, Nick Lowe, Axel Alonso & Arune Singh. 
Unfortunately, I only got to one day of the four day event, so I can't report on much. There were, however, a few nuggets of information I managed to gather from the two Marvel panels I attended. If you haven't seen them on CBR, etc, here they are. From the Marvel: Avengers vs. X-Men panel we learnt:

1) There's an important death at the end.

2) The Hulk will be showing up in the final issue of A v X.

3) Ed Brubaker is leaving Winter Solider to be replaced by relative newcomer Jason Latour. I’ll let you know what I think of his first issue.

4) Characters from Alpha Flight will be appearing in Wolverine and the X-Men #19.
The Marvel: A Pint o' CB panel with from left to right: Axel Alonso, Dan Slott, Steve Wacker, Nick Lowe & C.B. Cebulski
The second panel I attended -- Marvel: Pint o' CB didn’t just star its namesake con stalwart but also Axel Alonso, Dan Slott, Steve Wacker and Nick Lowe with Arune Singh moderating. This was a more free-flowing conversation and the Marvel team used much of the opportunity to talk-up this fall's Marvel Now. 
The Marvel team made clear that this was not a 'reboot' but a 'relaunch'.
Throughout the discussion it was made clear that Marvel Now will be, to quote Axel Alonso, ‘not a reboot but a relaunch’. Indeed, the Editor-in-Chief spoke frankly about the entire process and it sounds like creators have been given carte blanche to 'profoundly change' and make ‘hostile takovers’ of their new books. It sounds interesting and I'll be reviewing the new books as they come out.
Nick Lowe as game show host at the Marvel display.
So there you go: some quick notes on FanExpo. It was another good show and I'm already looking forward to next year. Hopefully, I'll be a little better at planning ahead and be able to get in more than one day of the show. Below are some random photos from the event for you to enjoy. Thanks for reading!

Space, Canada's sci-fi channel, had a huge presence at this year's FanExpo.
More of Space's display.
Non-comic fan favourites like as electronic games were also huge presence at the show too...
...as were promotions for upcoming films such as Peter Jackson's The Hobbit...
...and television's Game of Thrones.
DC Comics also had a serious presence...
...as did the Daleks.