Monday, November 21, 2011

WGTB reviews The Mighty Thor: The Black Galaxy Saga

Now, I know it is somewhat odd to write a review of a story that has been out since late 1990, but this past weekend I picked up the relatively new (August 2011) trade paperback The Mighty Thor: The Black Galaxy Saga which collected issues 419-425 (July 1990 to October 1990) and thought I’d write a review. Enjoy!  

The Black Galaxy Saga tells the story of Thor and his friend Hercules’ involvement with the Black Galaxy, an organic space entity situated in the deeper regions of the Milky Way. Written by long-time Marvel Editor-in-Chief, Tom DeFalco with art by Ron Frenz, the story begins with Thor and Herc in New York City, both in the middle of serious personal problems: Hercules a crisis of confidence after a failure in the same Black Galaxy, and Thor/Eric Masterson in the midst of a custody battle.  When a continuous stream of villains and interlopers arrive on Earth to harass the two friends, it is eventually realised they are needed back in the Black Galaxy to deal with the cataclysmic events happening there. After a ride in the Avenger’s Quinjet, the two reach this organic place and encounter an old Thor/Avengers nemesis, The High Evolutionary and involve themselves in one of the great events of the Marvel Universe: the birth of a Celestial. In the second story starring the Asgardians, we witness strange events happening in the eternal realm which eventually ends with the return of Thor from the Black Galaxy and a plan to rid that realm of an ancient nemesis.   

Splash of The Mighty Thor #422, Early September 1990
From Marvel's The Mighty Thor #423, Late September 1990
While I’m not the biggest fan of early 90s comic book writing, this story by DeFalco and Frenz is quite enjoyable and does an good job at showcasing the limitless boundaries  of comics when dealing with archetypes, the origins of the universe and extra-terrestrial life. In this story, for example, we have a deluge of human and non-human superheroes, Norse, Roman and Celtic gods, clones, ancient and new aliens, space vampires, evolving humans and, of course, mere mortals like you and me.  Because of this, anyone who enjoys the depth good science-fiction can take a reader or the paradoxical relationship it can sometimes have with religion (like TV's Babylon 5 or writers Frank Herbert or Arthur C. Clarke) will really enjoy this story. 

Channeling The Empire Strikes Back? From Marvel's The Mighty Thor #422, Early September 1990
From Marvel's The Mighty Thor #424, Early October 1990

The splash in Marvel's The Mighty Thor #419, July 1990
Artistically the comics are good too. Ron Frenz pencils are not outside the typical of late 80s and early 90s comic art, but the story has great splash pages and panels that do a good job at portraying deep space and the majesty of Marvel Cosmic. Interestingly, in one part early in the story we meet a genetic duplicate of Thor, who looks nearly identical to Jack Kirby’s Captain Victory of Captain Victory and the Galactic Rangers. I’m sure this was intentional and ‘Replicoid’ is almost certainly an homage to Kirby’s earlier work on both Journey Into Mystery/The Mighty Thor and The Eternals, themselves a creation of the Celestials. Below are some comparison images for you to judge.   

Captain Victory in Jack Kirby's Captain Victory and the Galactic Rangers #3, March 1983 by Pacific Comics

A Kirby homage in Marvel's The Mighty Thor #419, July 1990
The Black Galaxy Saga is a good story that works very well in trade paperback. I suspect back in 1990, it was probably more than a little confusing for those readers who missed a couple issues or jumped in late in the story. Of course, this was near the height of the early 90s comic boom, so that number might have been smaller than one would expect today. But in  2011, it is a good Thor story with a great mix of science-fiction and quasi-religious ‘what does it all mean?’ material and good old-fashioned comic book fun. So give it a read (if you didn't in 1990, of course) and thanks for reading what is today at least, a very appropriately named blog: Whatever Gods There Be!

Monday, November 14, 2011

Arthur C. Clarke's Sands of Mars: 60 Years Later

It was 60 years ago this year that science-fiction grandmaster, Sir Arthur C. Clarke, wrote one of his lesser known books The Sands of Mars. It was never as famous as Childhood's End (1953), 2001: A Space Odyssey (1968) or Rendezvous with Rama (1972), but it was great book none-the-less, and I would like to now share with you some of my thoughts about it, as it nears the end of its sixtieth orbit around our Sun.  

The Hohmann Transfer Orbit, a means for us to leave Earth's orbit and head to Mars.

The story follows writer Martin Gibson as he travels to Mars in an effort to publicise the nascent colony's efforts to grow the Red Planet. The first part of the story recalls his crossing between Earth and Mars on the Ares, a ship that it is hoped will one day be a Cunard-like vehicle for people leaving Earth permanently. As he travels, we watch him adapt to three months in space and befriend and learn from the crew, all the while writing reports to his publishing company back on Earth. 

Upon arrival on Mars, he interacts with and befriends the citizens of this New World, not only growing to admire their early efforts to bring civilization to this distant place, but himself becoming Martian in outlook and in one instance making a discovery that changes humanity forever.

A 2005 NASA impression of an early human settlement on Mars

NASA's 'Spirit Mars Exploration Rover - A', 2004-2010
The book is an enjoyable story and it is hard to believe it is sixty years old. As with most science-fiction, there are some errors, the biggest being the Martian-based biological discriptions that subsequent exploration efforts have proved non-existent. But these errors are completely outweighed by the amazing insight -- both the scientific and psychological -- Clarke brings to the early human effort of travelling to other planets and exploring the stars. For example, in one of my favourite passages, Gibson recalls the momentous occasion of him leaving Earth’s orbit for the first time: 

Down there is all my past life and the lives of all my ancestors back to the first blob of jelly in the first primeval sea. No colonist or explorer setting sail from his native land ever left so much behind as I am leaving now. Down beneath those clouds lays the whole of human history: soon I shall be able to eclipse with my little finger what was, until a lifetime ago, all of Man’s dominion and everything that his art has saved from time. (Page 22) 

As well as capturing the genius, courage and audacity of humanity's first efforts to become a space-faring race, Clarke also notes how, as human beings, we will inevitability take our failings to the stars as well. In one instance while the protagonist is outside the ship exploring space, he encounters some of the rubbish that has been cast from the spaceship pulling him along. Here, Clarke  writes in a way anyone who regularly walks around London, Toronto or New York knows only too well: “We’ve been throwing out waste every day for weeks... and all our junk will soon go shooting out from the solar system.” When traveling around Mars in an aircraft there is a crash, and while I don't want to give too much away, this episode not only has a lasting impact on Gibson and the story, it also gives us an idea of how both terrifying and magnificent it will be when  we finally examine Mars by foot, wing and wheel.

NASA artist impression in the late 1980s
Despite some technological issues, none of which really distract from the story and could easily be updated by word replacement software – 'typewriter' to 'tablet computer', etc., Clarke’s 1951 story of a voyage to and life on Mars remains remarkably visionary and inspiring. We know now that Mars has a barren and lifeless surface, but we also know that one day many years ago, it had liquid water and perhaps even life. We also know that the spaceships in our future will not launch from Earth, but rather a giant orbiting space station just like the ‘Space Station One’ of Gibson’s time. Further, and on a slightly more mundane note, we also know how viral marketing and earned media are often the best way to excite people about something new and fresh. Clarke wasn't writing a marketing manual, but in these aspects of Sands, he was spot on. 
An artist impression of an O'Neill cylinder space station from The High Frontier: Human Colonies in Space by American physicist Gerard K. O'Neill 
So if you’re looking for something interesting to read and you are already familiar with Sir Arthur C. Clarke's more famous works, then give Sands of Mars a read. At 60 years, it’s still a fun, inspiring and reasonably accurate book that will satisfy anyone looking for some hard science-fiction to supplement their diet of Silver Surfer or Captain Atomic. 

(The author of this piece read the reprinted Sidgwick and Jackson 1982 edition which was found at Orbital Comics in London, UK)